Music Creation Archives - FLUX:: Immersive

MiRA Studio

Felix Niklasson — Thu, 23 Jan 2025 22:03:07 +0000

THE FIRST IMMERSIVE AUDIO ANALYZER

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MiRA Studio – The First Immersive Audio Analyzer

Mix with confidence and be in full control in a reactive, real-time environment. MiRA Studio is the first immersive audio analyzer with support for up to 24 channels for workflows in Dolby® Atmos, Auro3D, NHK 22.2, and other multichannel formats and speaker arrangements, featuring customizable layouts and workspaces tailored to your specific needs. The unique FLUX:: Nebula visualizes the spatial sound field in a scope spectrogram for multichannel analysis in up to 24 channels.

SIMPLE CONNECTION TO YOUR DAW

Audio samples sourced from hardware I/O or via the MiRA Sample Grabber plugin enable simple connection to your Digital Audio Workstation (DAW) using proprietary Sample Push network-based technology.

NATIVELY SUPPORTS UP TO 24 CHANNELS

MiRA Studio natively supports up to 24 channels and is compatible with Dolby® Atmos, Auro3D, NHK 22.2, and various other speaker arrangements and multichannel formats.

NEBULA 3D OPTIMIZED

Features the updated FLUX:: proprietary Nebula 3D and Spatial Spectrogram, optimized with multi-pass processing for up to 24 channels.

SIMPLIFIED I/O CONFIGURATION

The simplified I/O configuration (speaker layout) is easily transferred from the MiRA Sample Grabber and SPAT Revolution.

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FEATURE HIGHLIGHTS

Intuitive user interface with a fully customizable workspace, layouts, and settings

RTA range mode manual, auto, compressed, and compressed auto

LUFS – EBU R128 / PLOUD support for all the latest norms

IMMERSIVE

METERING STATISTICS

SCOPE

IMMERSIVE COMP

MiRA Studio

Mix with confidence and be in full control in a reactive, real-time environment. MiRA Studio is the first immersive audio analyzer with support for up to 24 channels for workflows in Dolby® Atmos, Auro3D, NHK 22.2, and other multichannel formats and speaker arrangements, featuring customizable layouts and workspaces tailored to your specific needs. The unique FLUX:: Nebula visualizes the spatial sound field in a scope spectrogram for multichannel analysis in up to 24 channels.

Buy now Subscribe now

We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

COMPATIBILITY

WATCH AND LEARN MORE

MiRA Studio – INTRODUCTION

MiRA Studio – MULTI-CHANNEL ANALYSIS

MiRA – FLUX:: SAMPLE PUSH TECHNOLOGY

MiRA – LAYOUT CREATION WITH CUSTOMIZABLE WORKSPACES

MiRA – USER INTERFACE

RESOURCES

Online User Guide

Download & Install

License & Activation

Release Notes

Facebook Analyzer Group

SPECIFICATIONS

Features

		Session	Studio	Live	Ultimate
General	Number of channels	2 channels	Up to 24	Up to 24	Up to 24
	Custom layout and workspace	✓	✓	✓	✓
	Hardware input / output	✓	✓	✓	✓
	MiRA samplegrabber communication	✓	✓	✓	✓
	Include most of the DAW speakers arrangements – more than 200 included	✘	✓	✓	✓
	SPAT Revolution sample push communication	✓	✓	✓	✓
	Advanced management for system measure captures, with offline edition support	✘	✘	✓	✓
	Unique head/floor microphone combination (patent pending)	✘	✘	✓	✓
	All the tools to mix in Stereo	✓	✓	✓	✓
	All the tools to mix in Immersive	✘	✓	✘	✓
	All the tools to calibrate a system	✘	✘	✓	✓
	Unique 3D Nebula – Analyze your spatial mix	✘	✓	Frontal only	✓





Scope	RMS Meter	✓	✓	✓	✓
	Peak Meter	✓	✓	✓	✓
	True Peak Meter	✓	✓	✓	✓
	Loudness Meter	✓	✓	✓	✓
	Wave scope	✓	✓	✓	✓
	Stereo Vector Scope	✓	✓	✓	✓
	Nebula \| Spatial spectrogram	✓	✓	✓	✓
	Spectrogram	✓	✓	✓	✓
	RTA (Spectrum Magnitude)	✓	✓	✓	✓
	Meters History	✘	✓	✘	✓
	2D surround scope (legacy)	✘	✓	✘	✓
	3D Surround scope	✘	✓	Frontal only	✓
	Metering Statistic	✘	✓	✘	✓
	Live \|Leq	✘	✘	✓	✓
	Live \|Spectrum Transfer Function	✘	✘	✓	✓
	Live \| Impulse Response	✘	✘	✓	✓





OS	Windows 10 and Windows 11 – 64 bits only	✓	✓	✓	✓
	macOS – All version from 10.15 including macOS Big Sur and Monterey compliant	✓	✓	✓	✓

Processing	32/64-bits internal floating point processing	✓	✓	✓	✓
	Sample rate up to 384	Up to 96kHz	✓	✓	✓

Processing


32/64-bits internal floating point processing.	✓
Sampling rate up to 384 kHz DXD	✓
Network support with the MiRa SampleGrabber plug-in (Password-protected audio stream encryption available)	✓
Extremely efficient OpenGL based graphics rendering engine, capable of up to 120 fps	✓
Independent display and time-code frame rates	✓
Auto-pause controlled by user-defined threshold	✓

OS Compatibility

Windows 10 / 11 – 64bit only
MacOS 10.14.6 Mojave and latest

Access to All Specifications

Hardware Requirements

Graphics Card

In order to experience the outstanding graphical response in MiRA and to fully take advantage of the software’s analysis capabilities, using a modern NVIDIA or AMD/ATI Radeon graphics card is recommended.

Older, and other less efficient graphics cards do not have the required performance and specifications, and will offload too much work to the CPU.

A graphic card fully supporting OpenGL 2.0 is required.

macOS: OpenGL 2.0 required – Mac Pro 1.1 & Mac Pro 2.1 are not supported. Apple Silicon Universal Binary ARM Mx Supported
Windows: If your computer has an ATi or NVidia graphics card. please ensure the latest graphic drivers from the ATi or NVidia website are installed. Generic drivers may contain bugs and are, in general, less up-to-date with optimizations presented in drivers specific to your particular graphics card model.
USB displays are not supported

Audio Interface

macOS: any Core Audio compatible interface or virtual sound card
Windows: any ASIO-compatible interface or virtual sound card

Software Licence Requirements


iLok account required	✓
Machine authorization is supported	✓
iLok USB Smart Key support (From 2nd gen)	✓
iLok Cloud support	✘
Simultaneous authorizations (2)	✓

The post MiRA Studio appeared first on FLUX:: Immersive.

MiRA Session

Felix Niklasson — Thu, 23 Jan 2025 22:02:34 +0000

GET YOUR MIX RIGHT

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Get your mix RIGHT with MiRA Session Spectrum and Metering system

Part of the MiRA family of audio analysis and metering applications, whether you are producing music, podcasts, or any audio content, MiRA Session offers comprehensive and responsive real-time visual feedback for your mix. With customizable workspaces tailored to your specific needs, along with predefined analysis and metering layouts, MiRA Session empowers you to maintain full control over your levels and ensure your mix adheres to the latest loudness standards.

BE IN CONTROL OF YOUR MIX

MiRA Session delivers all the tools you need for real-time control of your stereo mix.

PRECISE SPECTRUM ANALYSIS

MiRA Session features a unique algorithm to ensure precise spectrum analysis, mimicking human ear perception.

DELIVER AT THE RIGHT LEVEL

Ensure the confidence of always mixing at the optimal level with support for all industry-recommended loudness targets.

NEBULA SCOPE ANALYSIS

Gain control of your stereo field across frequencies with Nebula scope analysis.

FLUX:: SAMPLE PUSH TECHNOLOGY

Proprietary Sample Push technology from FLUX:: extends the integration capabilities with the MiRA Sample Grabber plugin extracting samples directly from the plugin insert chain, in any compatible DAW environment for instant analysis.

FEATURE HIGHLIGHTS

Intuitive user interface with a fully customizable workspace, layouts, and settings

RTA range mode manual, auto, compressed, and compressed auto

LUFS – EBU R128 / PLOUD support for all the latest norms

Real-time metering statistics available in Spectrogram, Spectrum, and Scope layouts

ANALYSIS ESSENTIALS

NEBULA SPECTROGRAM

SCOPE

SLIDING COMPRESSED RTA

MiRA Session

Get your mix RIGHT with the MiRA Session spectrum and metering system. Part of the MiRA family of audio analysis and metering applications, whether you are producing music, podcasts, or any audio content, MiRA Session is designed with a focus on superior visual response, enhancing real-time audio capture through detailed processing for exceptional visualization.

Buy now

We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

COMPATIBILITY

WATCH AND LEARN MORE

MiRA Session INTRODUCTION

MiRA – FLUX:: SAMPLE PUSH TECHNOLOGY

MiRA – LAYOUT CREATION WITH CUSTOMIZABLE WORKSPACES

MiRA – USER INTERFACE

RESOURCES

Online User Guide

Download & Install

License & Activation

Release Notes

Facebook Analyzer Group

SPECIFICATIONS

Features

		Session	Studio	Live	Ultimate
General	Number of channels	2 channels	Up to 24	Up to 24	Up to 24
	Custom layout and workspace	✓	✓	✓	✓
	Hardware input / output	✓	✓	✓	✓
	MiRA samplegrabber communication	✓	✓	✓	✓
	Include most of the DAW speakers arrangements – more than 200 included	✘	✓	✓	✓
	SPAT Revolution sample push communication	✓	✓	✓	✓
	Advanced management for system measure captures, with offline edition support	✘	✘	✓	✓
	Unique head/floor microphone combination (patent pending)	✘	✘	✓	✓
	All the tools to mix in Stereo	✓	✓	✓	✓
	All the tools to mix in Immersive	✘	✓	✘	✓
	All the tools to calibrate a system	✘	✘	✓	✓
	Unique 3D Nebula – Analyze your spatial mix	✘	✓	Frontal only	✓





Scope	RMS Meter	✓	✓	✓	✓
	Peak Meter	✓	✓	✓	✓
	True Peak Meter	✓	✓	✓	✓
	Loudness Meter	✓	✓	✓	✓
	Wave scope	✓	✓	✓	✓
	Stereo Vector Scope	✓	✓	✓	✓
	Nebula \| Spatial spectrogram	✓	✓	✓	✓
	Spectrogram	✓	✓	✓	✓
	RTA (Spectrum Magnitude)	✓	✓	✓	✓
	Meters History	✘	✓	✘	✓
	2D surround scope (legacy)	✘	✓	✘	✓
	3D Surround scope	✘	✓	Frontal only	✓
	Metering Statistic	✘	✓	✘	✓
	Live \|Leq	✘	✘	✓	✓
	Live \|Spectrum Transfer Function	✘	✘	✓	✓
	Live \| Impulse Response	✘	✘	✓	✓





OS	Windows 10 and Windows 11 – 64 bits only	✓	✓	✓	✓
	macOS – All version from 10.15 including macOS Big Sur and Monterey compliant	✓	✓	✓	✓

Processing	32/64-bits internal floating point processing	✓	✓	✓	✓
	Sample rate up to 384	Up to 96kHz	✓	✓	✓

Processing


32/64-bits internal floating point processing.	✓
Sampling rate up to 384 kHz DXD	✓
Network support with the MiRa SampleGrabber plug-in (Password-protected audio stream encryption available)	✓
Extremely efficient OpenGL based graphics rendering engine, capable of up to 120 fps	✓
Independent display and time-code frame rates	✓
Auto-pause controlled by user-defined threshold	✓

OS Compatibility

Windows 10 / 11 – 64bit only
MacOS 10.14.6 Mojave and latest

Access to All Specifications

Hardware Requirements

Graphics Card

Older, and other less efficient graphics cards do not have the required performance and specifications, and will offload too much work to the CPU.

A graphic card fully supporting OpenGL 2.0 is required.

macOS: OpenGL 2.0 required – Mac Pro 1.1 & Mac Pro 2.1 are not supported. Apple Silicon Universal Binary ARM Mx Supported
Windows: If your computer has an ATi or NVidia graphics card. please ensure the latest graphic drivers from the ATi or NVidia website are installed. Generic drivers may contain bugs and are, in general, less up-to-date with optimizations presented in drivers specific to your particular graphics card model.
USB displays are not supported

Audio Interface

macOS: any Core Audio compatible interface or virtual sound card
Windows: any ASIO-compatible interface or virtual sound card

Software Licence Requirements


iLok account required	✓
Machine authorization is supported	✓
iLok USB Smart Key support (From 2nd gen)	✓
iLok Cloud support	✘
Simultaneous authorizations (2)	✓

The post MiRA Session appeared first on FLUX:: Immersive.

MiRA Ultimate

Felix Niklasson — Thu, 23 Jan 2025 22:01:57 +0000

MiRA Ultimate

MiRA Ultimate is the pinnacle of the MiRA audio analysis suite of software packaging all three MiRA applications – MiRA Live, MiRA Studio, and MiRA Session – in one convenient bundle.

Buy now Subscribe

* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

MiRA – The Ultimate Analyzer

Experience MiRA the brightest star in the audio analysis universe. The MiRA analyzer family from FLUX:: is stand-alone software that includes an extensive suite of tools for diverse audio analysis and measurement applications, including mixing and mastering, system calibration, and loudness metering.

With full support for multi-channel immersive audio deployments, MiRA is a versatile solution that can meet all your needs for audio analysis, designed with a focus on superior visual response, enhancing real-time audio capture through detailed processing for exceptional visualization.

The post MiRA Ultimate appeared first on FLUX:: Immersive.

EVO Series

Felix Niklasson — Thu, 29 Dec 2022 14:04:11 +0000

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Try Subscribe Buy

Now Available – All EVO elements as separate plugins with AAX DSP support^*

The Ultimate Channel Strip Redefined

The essential element of all analog consoles is the Channel Strip and the philosophy behind it is to be able to be efficient, fast, and make things sound great from the start. When we designed the EVO Channel we wanted it to be as efficient, fast and hands-on as a channel is on a console, while presenting the advantages of creative digital innovation in terms of workflow and sound, to in the end provide everything you need to stay in control of your mix!

EVO Series

Gain/Drive, Phase, Compressor, EQ, DeEsser, Expander, Transient/Sustain Designer, Hands-on interface, Fast workflow, Adjustable signal flow, Stay in Control of Your sound!

Evo Series Pack includes all 5 EVO plugins:
Evo Channel
Evo In
Evo EQ
Evo Comp
Evo Touch

Buy now Subscribe now

* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

“Evo Channel is quite packed, covering not only the ‘vanilla’ features one expects from a channel strip but also moving forward with the with Touch section and Phase slider, introducing aspects not usually seen on this kind of plug-ins. Zero added latency, rather friendly CPU load for a plug-in with this feature set, easily allowing to run as many instances as needed.”

“Evo Channel is a pretty powerful little tool that does an extremely impressive job, sounds really good and is really fast to work with!”

Josh Voyles

“What I like about the Drive section in EVO Channel is that it’s not a distorted sound, it’s just kind of a saturated sound adding a little bit more fatness and roundness to your sound, and it’s actually really subtle still even at 60-70 percent!”

“I really like EVO Channel and the results that I get from it, it’s straight to the point, sounds great, easy to use, and I really like the workflow!”

“Musical, intuitif, doté de fonctions atypiques, peu gourmand en ressources et plus souple que la majorité des produits concurrents, c’est un outil professionnel puissant qui saura satisfaire toute personne à la recherche d’une tranche de console virtuelle ayant du caractère tout en respectant la nature du signal source.”

Compatibility

(VS3 available only from Merging Technologies)

^* EVO Channel is available in AU/VST2&3/AAX Native only/VS3

Behind the EVO Series

“All the right tools are there to assist the creativity of a sound engineer, and the technology should not limit what he can do – It’s still the human who need to be making the decisions!” – Yves Jaget

Pour la version française, cliquez ici.

Tutorials

Pour la version française, cliquez ici.

Demo Sessions

Sample recordings with the microphone phase aligned using the EVO Channel and EVO In Phase.
Connect your studio monitors or headphones, and enjoy the aligned natural sound!

Drumkit

A drum kit recording with multiple microphones using EVO Phase to phase align the microphones.

Phase Alignment

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OFF ON

If you can’t believe it, try it yourself !
The session can be downloaded below.

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Guitars and Voices

Guitars and voices recorded with multiple microphones using EVO Phase to phase align the microphones.

Phase Alignment

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OFF ON

If you can’t believe it, try it yourself !
The session can be downloaded below.



Unique EVO Drive System

Restores the life and vitality

A well-managed gain structure is paramount for creating an optimized signal-chain and regenerating harmonics can bring the texture you want. In each of the EVO plugins a signal Drive, designed to add a soft saturation and warmth to the material, is available directly at the input gain for restoring and maintaining the vitality of the sound.

EVO In

Reframes the sound together

One of the most crucial parameters to take into account is Phase, or “The art of using multiple microphones on one and the same sound source”, a classic example is when setting up the sound for a drum kit.

Controlling the Phase of microphones is universal and relevant both for studio and live use. In EVO Channel and EVO In, an Arbitrary and Linear Phase Rotation throughout the spectrum is provided, to accomplish the same natural thing as when physically moving a microphone.

The Phase is the result of FLUX:: proprietary research, a unique algorithm allowing linear phase correction with zero latency.

EVO EQ

The canvas for painting the colors

One of the cornerstones in a Channel Strip is a well-built, efficient and complete Equalizer.

The equalizer in the EVO Channel and EVO EQ is a straightforward comprehensive 4-band parametric equalizer with an additional low/high shelf and a 6-24 dB low/high cut filter.

The graphical interactive EQ curve is layered on top of the built in Spectrum Analyzer for hands-on editing with direct connection to the visual response.

The spectrum analyzer originates from the FLUX:: Analyzer and has been optimized for the EVO Channel and EVO EQ. It provides an accurate direct view of what’s going on in the different frequency domains of your material.

EVO Compressor

The Sound Attitude Generator

In addition to controlling the signal dynamics, the compressor is often used for shaping the attitude of a sound. To use a compressor in a creative and artistic fashion it’s important that it’s easy to use and has the ability to create an interesting sound.

The EVO Channel and EVO Comp offers a wide range and variety of sound with nine different compression modes, and a Wet / Dry control for adjusting the level of compression, allowing for parallel compression within the module.

EVO Touch

The icing on the cake !

The Final Touch – EVO Touch, also available in EVO Channel, is a polymorphic section offering a variety of different processors designed to adapt to the requirements of the material, with seven different processing modes including a frequency dependent DeEsser, Expander and a Transient and Sustain Shape designer.

Multichannel, Dolby Atmos®, Ambisonics & High-Resolution Support

Multichannel being at the core of FLUX:: Immersive, The EVO Series plugins are designed to support mixing and creation of multichannel surround and immersive audio production content. Each module supports up to 16 channels which include Dolby Atmos® 7.1.2 / 7.0.2 Track and Bus all the way for creating and manipulating Ambisonic audio and mixes all the way to Third order Ambisonics

High Resolution DXD Audio with sampling rates up to 384 kHz is supported.

Dark Mode for Live and Theater

The visual display mode of the graphical user interface in the EVO Series plugins can be set to a Dark or a Light mode.

The Dark mode is created to provide an option for situations like Live and Theater performances where discretion can be of real importance.

Specifications

Access to all specifications

The post EVO Series appeared first on FLUX:: Immersive.

SPAT Revolution

Alexis Gentil — Thu, 17 Aug 2017 10:50:05 +0000

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Try Subscribe RTO Buy

SPAT Revolution 25.12 – Available Now!

SPAT Revolution 25.12 update, delivering powerful new features and refinements to enhance your immersive workflow – This release introduces among other things:

New SPAT Send Plugin with an intuitive UI for streamlined routing and control
Expanded snapshot recall scope with safe matrix handling for greater flexibility
Sum, Delay, Gain, and Polarity controls in both Master and Transcoder matrices
Restructured 3D View preferences for improved visualization and customization

The SPAT Revolution 25.12 Service Release is a free update for all users with a valid perpetual license or an active subscription plan and is available now in FLUX:: Center.

From Creation to Real-time Immersive Delivery

Empowering artists, sound-designers and sound-engineers virtually unlimited possibilities to design, create and mix an outstanding real-time immersive experience.

(Éléphantmat – crédit Photo Louis Lefranc)

For a wide-span of Immersive creation and production use cases

Live concert production and diffusion
Music mixing for multi rendering format
Sound design for film, music and theatre
AR/VR production
Audio for gaming
Binaural for artist monitoring and audience experience
Spatial audio composition for sound installations
360 audio/video production
Scientific research and development
Audio-visual immersive experience installations
Corporate events and installations.
Interactive sound creations & environmental sound
Broadcasting 3D audio shows and concerts

Bring a sense of space and depth to your mix with the next generation audio mixing concepts

A revolutionary object & perceptual immersive mixing tool redefining the way of mixing where you intuitively position objects in spaces and let the acoustic signature of the room build the desired depth

Bring your various audio sources as objects moving into a virtual space in a output format agnostic way while allowing you to create acoustic space (reverberation) with localized reflections.

It simply means spaciousness to your mix from multiple sound source formats supported.

More Info

Mono, stereo or multi-channel objects
A-Format microphone support with input transcoder
- Sennheiser Ambeo
- Soundfield ST250, ST450 and SPS200
- Core Sound TetraMic
- DPA-4 Microphone
- Oktava MK4012
- Rode NT SF1
High Order Ambisonic (HOA) 2D/3D, Up to 7th order with input transcoder

AmbiX (SN2D/SN3D, ACN)
B-Format (FUMA, FMH)
Input transcoder with;

FUMA, MaxN, N2D/N3D, SN2D/SN3D normalization option
ACN, FMH and SID sorting options
Yaw, Pitch Roll control

The most wanted Panning methods and Spatialization techniques at your fingertips

Render for various deliverables

Audio is literally living a paradigm shift, moving beyond stereo to various spatial audio techniques. At the core of SPAT Revolution is a desire not to impose on panning methods and spatialization techniques rather to offer a wide range of possibilities, including panning techniques for working with audiences in wide areas not confined to traditional sweet spots for live and installation setups.

Being for improving the frontal resolution for concert diffusion, to immerse the audience with surround audio, to render to any channel-based or scene-based formats, to deliver spatial audio over headphones, SPAT Revolution simply opens up to the most advanced techniques and brings them to your fingertips.

Deliver a stable soundscape throughout an entire listening area with WFS

With today’s demand for the entertainment to completely immerse the audience in the experience, and for producing a stable soundscape image throughout an entire audience listening area, the distinctive WFS , Wave Field Synthesis technique for spatial audio reproduction is offered as a license add-on option to SPAT Revolution Ultimate offer.

WFS aims to reproduce the true physical attributes of a given sound field (the waves front) over an extended listening area, an approach that relies on delay and amplitude. It is deployed on collinear speaker systems (line of speakers in a frontal setting) and with qualified 2D/3D speaker arrangements surrounding the audience.

Test Drive WFS

Channel-based Formats

Stereo with various pan law options, XY and AB
Multi-channel system using position or direction based panning techniques

Basic Angular
Distance-based amplitude panning (DBAP) for equal intensity panning
K Nearest Neighbour (KNN)
Layer-based amplitude panning (LBAP) such as the ones used in typical panners (Ex: Dolby)
Speaker-placement correction amplitude panning (SPCAP)
Vector-based panning (VBAP, VBIP, DualBandVBP, Hybrid VBP)
Wave Field Synthesis (available as an option)

Scene-based Formats

High Order Ambisonic (HOA) 2D/3D, Up to 7th order

AmbiX, B-Format and SPAT Room presets
FUMA, MaxN, N3D, SN3D Normalization option
ACN, FMH and SID Sorting options

Binaural audio using HRTF library
Binaural audio with nearfield effect using HRTF (Ultimate only)
Binaural audio using spherical head or snowman model (Ultimate only)
Mid-Side (MS)

What Our Users Think

From decades of groundbreaking research at Ircam

SPAT Revolution is the result of a successful partnership between FLUX:: Engineering and the French research institute Ircam (Institute for Research and Coordination in Acoustics/Music), created to make decades of groundbreaking research performed at Ircam available to the world in a format adapted for the workflow in the digital music and audio industry.

Designed to integrate into any workflow

Rapidly deploy and manage your object-based mix session using a simple setup wizard using your physical or virtual audio interface of choice as your hardware I/O or vastly expand your DAW’s capabilities using SPAT plugin suites (AAX, AU, VST3) and audio pipe technology for software audio routing and parameters automation

Add remote integration using control devices, show control application, trajectory software and digital mixing consoles over the network, through the Open Sound Control (OSC) protocol.

Take advantage of ReaVolution, a Reaper package for SPAT Revolution facilitating the setup, integration, and workflow for immersive audio creation and production

More Information:

Use your audio interface of choice for real-time processing
Support of different Input and Output hardware devices
Integrate with virtually any DAW and External Controllers
Use integration templates for various third-party tools
ReaVolution, A 100% Freeware customization of Reaper available to users to make the integration of SPAT Immersive workflow
Live Console template for Avid VENUE S6L, DiGiCo SD and SSL Live
Configure with a simple Setup Wizard to rapidly create sessions with your desired formats.
Manage your speaker arrangements from predefined to custom..
Input naming and I/O matrix windows for configuring hardware patches
Drag and Drop module feature

Main Features

Two license options to choose from

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SPAT Revolution Essential<\/b><\/span><\/h4>\n<\/td>\n

\u00a0<\/span><\/td>\n

SPAT Revolution Ultimate<\/b><\/span><\/h4>\n<\/td>\n<\/tr>\n

Single virtual room environment<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Multi virtual room environments<\/span><\/td>\n<\/tr>\n

Deliver channel-base, binaural and ambisonic up to 3rd order
<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Deliver simultaneously for channel-base, binaural and ambisonic up to 7th order<\/span><\/td>\n<\/tr>\n

Channel-based predefined and custom setups up to 16ch. (including Dolby Atmos)<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Channel-based\u00a0 predefined and custom setups up to 128ch<\/span><\/td>\n<\/tr>\n

Up to 32 audio input channels<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Unlimited audio channels<\/span><\/td>\n<\/tr>\n

Virtualization of speaker setup (binaural monitoring)<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Multi environment virtualization (binaural monitoring)<\/span><\/td>\n<\/tr>\n

Complete HRTF management (Listen library) with SOFA import\u00a0
<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Complete HRTF management (Listen library) with SOFA import<\/span><\/td>\n<\/tr>\n

OSC integration<\/span><\/td>\n

\u00a0<\/span><\/td>\n

OSC and RTTrPM tracking integration<\/span><\/td>\n<\/tr>\n

OSC custom transformations<\/span><\/td>\n

\u00a0<\/span><\/td>\n

OSC custom transformations<\/span><\/td>\n<\/tr>\n

Nebula Spatial Spectrogram<\/span><\/span><\/td>\n

\u00a0<\/span><\/td>\n

Nebula Spatial Spectrogram<\/span><\/td>\n<\/tr>\n

WFS Technology Add-on Option Support<\/span> <\/span><\/td>\n

<\/span><\/td>\n

WFS Technology Add-on Option Support<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>","tablet":"

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n

SPAT Revolution Essential<\/b><\/span><\/h4>\n<\/td>\n

<\/span><\/td>\n

SPAT Revolution Ultimate<\/b><\/span><\/h4>\n<\/td>\n<\/tr>\n

Single virtual room environment<\/span><\/td>\n

<\/span><\/td>\n

Multi virtual room environments<\/span><\/td>\n<\/tr>\n

Deliver channel-base, binaural and ambisonic up to 3rd order<\/span><\/td>\n

<\/span><\/td>\n

Deliver simultaneously for channel-base, binaural and ambisonic up to 7th order<\/span><\/td>\n<\/tr>\n

Channel-based predefined and custom setups up to 12ch. (including Dolby Atmos)<\/span><\/td>\n

<\/span><\/td>\n

Channel-based predefined and custom setups up to 64ch<\/span><\/td>\n<\/tr>\n

Up to 32 source audio channels<\/span><\/td>\n

<\/span><\/td>\n

Unlimited audio channels<\/span><\/td>\n<\/tr>\n

Ambisonic 1st order source (2)<\/span><\/td>\n

<\/span><\/td>\n

Ambisonic up to 7th order (HOA)<\/span><\/td>\n<\/tr>\n

Virtualization of speaker setup (binaural monitoring)<\/span><\/td>\n

<\/span><\/td>\n

Multi environment virtualization (binaural monitoring)<\/span><\/td>\n<\/tr>\n

HRTF Library of 12 models<\/span><\/td>\n

<\/span><\/td>\n

Complete HRTF Listen library and SOFA import<\/span><\/td>\n<\/tr>\n

OSC integration <\/span><\/td>\n

<\/span><\/td>\n

OSC and RTTrPM tracking integration<\/span><\/td>\n<\/tr>\n

Predefined OSC transformation presets<\/span><\/td>\n

<\/span><\/td>\n

Custom OSC transformation <\/span><\/td>\n<\/tr>\n

Simple setup management <\/span><\/td>\n

<\/span><\/td>\n

Complete flexible module setup configuration<\/span><\/td>\n<\/tr>\n

Up to 96Khz<\/span> <\/span><\/span><\/td>\n

<\/span><\/td>\n

Up to 384Khz<\/span><\/td>\n<\/tr>\n

<\/span><\/td>\n

Nebula Spatial Spectrogram<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>","phone":"

SPAT Revolution Essential<\/b><\/span><\/h4>\n
Single virtual room environment<\/span>
\nDeliver channel-base, binaural and ambisonic up to 3rd order<\/span>
\nChannel-based predefined and custom setups up to 12ch. (including Dolby Atmos)<\/span>
\nUp to 32 source audio channels<\/span>
\nAmbisonic 1st order source (2)<\/span>
\nVirtualization of speaker setup (binaural monitoring)<\/span>
\nHRTF Library of 12 models<\/span>
\nOSC integration<\/span>
\nPredefined OSC transformation presets<\/span>
\nSimple setup management<\/span>
\nUp to 96Khz<\/span><\/p>\n
SPAT Revolution Ultimate<\/b><\/span><\/h4>\n
Multi virtual room environments<\/span>
\nDeliver simultaneously for channel-base, binaural and ambisonic up to 7th order<\/span>
\nChannel-based predefined and custom setups up to 64ch<\/span>
\nUnlimited audio channels<\/span>
\nAmbisonic up to 7th order (HOA)<\/span>
\nMulti environment virtualization (binaural monitoring)<\/span>
\nComplete HRTF Listen library and SOFA import<\/span>
\nOSC and RTTrPM tracking integration<\/span>
\nCustom OSC transformation<\/span>
\nComplete flexible module setup configuration<\/span>
\nUp to 384Khz<\/span>
\nNebula Spatial Spectrogram<\/span><\/p>"}},"slug":"et_pb_text"}" data-et-multi-view-load-tablet-hidden="true" data-et-multi-view-load-phone-hidden="true">
c

SPAT Revolution Essential

SPAT Revolution Ultimate

Single virtual room environment Multi virtual room environments

Deliver channel-base, binaural and ambisonic up to 3rd order
Deliver simultaneously for channel-base, binaural and ambisonic up to 7th order

Channel-based predefined and custom setups up to 16ch. (including Dolby Atmos) Channel-based predefined and custom setups up to 128ch

Up to 32 audio input channels Unlimited audio channels

Virtualization of speaker setup (binaural monitoring) Multi environment virtualization (binaural monitoring)

Complete HRTF management (Listen library) with SOFA import
Complete HRTF management (Listen library) with SOFA import

OSC integration OSC and RTTrPM tracking integration

OSC custom transformations OSC custom transformations

Nebula Spatial Spectrogram Nebula Spatial Spectrogram

WFS Technology Add-on Option Support WFS Technology Add-on Option Support

options and
Available as perpetual, subscription, and subscription with rent to own option – Educational program offer available.

See complete specification Here

Advanced Features

Speaker Configuration Management

Import speaker arrangements from simulation software of Adamson Blueprint AV, CODA Audio, Nexo NS-1, d&b audiotechnik, EASE, or simply, from Excel

Speaker arrangement panning tips and validation guidelines

Per speaker channel mute option in the virtual room

Modify your speaker arrangements with offset, mirror, scale and many more transformations

Add speakers in batches with various uniform distribution types

Insert background images of various size to your room arrangement with scaling and offset options

Objects, Snapshots and Transformation

Deploy new ways to manage your object-based mix with the snapshot system. Change an audio mix scene with snapshot recall with interpolation time done manually, via OSC or with touch remote control (ex: Lemur). To facilitate transformations like moving sources, source transform feature, with an interpolation time, allows you to manipulate sources/objects positions

Virtual mixing room environment with source and speaker name tag

Snapshot system giving the ability to create static images and recall with interpolation time

Source transformation for source/object action with interpolation time

iOS remote templates (Lemur) for touch interface to controlling sources and snapshots (with Multi-touch template)

Powerful OSC interpreter and Real-time tracking system

8 OSC Connections

BlackTrax Real Time Tracking RTTrPM Protocol input (Ultimate only)

Sources and Listener positions tracking in 6 DOF

IRCAM ADMix, SPAT and Meyer SpaceMap Go OSC grammar on input.

ADM-OSC support on input and output

OSC Output options for Auto-Bundle and Touch/Release messages

OSC presets for SPAT plug-ins, Lemur controllers, Avid S6L, Digico, SSL Live and ADM-OSC

OSC transformation allowing for value rescaling, offsetting, converting and much more

Use control OSC messages (index -1) for active selection.

Encoding and Decoding with Transcoding Modules

SPAT Revolution objects stream type can span from many types of microphones, arrays, HOA captures, and from any type of pre-produced stems. It can render content in HOA up to 7th order. Supporting a vast range of stream formats, transcoder modules allow modification of the channel count of the stream passing through it, depending on the format transfer being requested. For example, transcoding from Ambisonic B-Format into a Channel Based 3D Cube involves a four-channel Ambisonic stream getting transcoded into an eight-channel stream grouped and treated as a specific speaker configuration.

See Specifications for SPAT Revolution Essential limitations.

A-Format microphone support:

Sennheiser Ambeo

Soundfield

Core Sound

DPA Oktava

Røde

Steam type Input to Output transcoding

A-Format to B-Format

A/B-Format to Channel Based

A/B-Format to HOA

B-Format to UHJ

Binaural to Transaural

Channel Based (C.B) to Channel Based; Channel splitter aggregator

HOA to Channel-based

HOA to HOA for conversion of normalization, channel-arrangement, 2D/3D

HOA presets for AmbiX, A & B-Format

Mid/Side (MS) to Channel Based

UHJ to B-Format

Decoding Methods:

Projection

Regularized Pseudo-Inverse

Energy preserving

AllRad

Improved AllRAD

Decoding Type:

Basic

InPhase

MaxRe

BasicMaxRe

MaxReInPhase

InPhaseMaxRe type

Normalization options:

N2D/N3D

SN2D/SN3D

FuMa

MaxN

Sorting options:

ACN

SID

FMH

Multi-Virtual Room (Ultimate Only)

In SPAT Revolution the source objects are spatialized inside virtual rooms with spatial positioning, panning, reverberation and output format taken into consideration when calculating the output rendering.

In order to encompass various different workflows or render different deliverables, multiple rooms can be created and used simultaneously, in parallel, with individual independent output formats.

Summing this up is the ability to binaurally monitor (virtualize) a scene from a channel based output, giving an impression of how the mix might sound diffused by a particular speaker arrangement (including the space between speakers and gain characteristics belonging to selected panning types).

Unique Nebula Spatial Spectrogram

Nebula is a technology adapted from FLUX:: Analyzer System, simulating how sound sources localize their sound over different speaker setups, providing a unique representation of the sound-field, in terms of spectral content and localization, in real-time inside the 3D virtual room display.

User Stories

FLUX:: delivers spatial audio with SPAT Revolution at Lisbon Culturgest venue

Culturgest in Lisbon becomes the first venue in Portugal to implement a fully immersive live sound system using FLUX:: SPAT Revolution. As one of Lisbon’s most respected cultural institutions, Culturgest sought to expand the creative potential of its flagship Emílio...

JBL Professional and FLUX:: Powers Immersive Audio Breakthrough in Vietnam’s CHÀO Show

HARMAN delivers Asia-Pacific’s first immersive audio system for live cultural performance, redefining the audience experience through cutting-edge spatial sound and seamless AV integration HO CHI MINH CITY, VIETNAM — HARMAN Professional Solutions, in collaboration...

Biwako Hall Center for the Performing Arts, Shiga, Installs FLUX:: SPAT Revolution Immersive Audio System Software

Groundbreaking installation of SPAT Revolution integration delivers elevated auditory experience for Opera and Classical Performances in Shiga Prefecture; Japan’s First Permanent SPAT Revolution Install in a Theater SHIGA, JAPAN – The esteemed Biwako Hall in Shiga...

More User Stories

Additional Resources

Online User Guide

Download & Install

License & Activation

Release Notes

Templates & Presets

DAW Integration Templates and Presets

Steinberg Nuendo, AVID Pro Tools, Merging Technologies Pyramix, Cockos Reaper, REAVolution, and Apple Logic Pro X.

Live Console integration templates

Avid VENUE S6L, Digico and Solid State Logic (SSL) Live

OSC Control and Commands

Lemur Remote Templates, Qlab OSC Cue examples and OSC Commands for Spat Revolution.

Speaker Management and Scripts

Custom Speaker Arrangement Scripts, Speaker import from Excel templates, Speaker arrangements for various Domes and Planetariums.

Technical Articles

Introducing Relative OSC: Simplifying Audio Parameter Controls

With the release of version 25.01 SPAT Revolution introduces an exciting feature: the support of Relative OSC messages. This innovative functionality offers the capability to adjust parameter values dynamically, without needing to know the current value. Absolute vs....

Navigating SPAT Revolution – From Studio Creation to Live Deployment

In the realm of audio production, the transition from the controlled studio environment to the variety of live setup deployment choices poses a pivotal challenge. This challenge becomes particularly significant when working with SPAT Revolution and its ability to...

Ambisonics: How to Handle Subwoofers and Low Frequency Effect

In this article, we will look at different methods to handle subwoofer and bass extension when dealing with Ambisonics in SPAT Revolution. Specifically, we will investigate solutions at the reproduction stage as well as the creation stage. LFE vs Bass Management...

More Technical Articles

Specifications

Features

Essential Ultimate

Setup Wizard
✓

✓

Module configuration and manual setup management (Add, Remove and Duplicate)
✓

✓

Multi virtual room environments
Single Room

✓

Efficiency zone and clamping
✓

✓

Acoustic Simulation / Reverberation
✓

✓

Channel-Based delivery
Up to 16 channel arrangements (including Dolby Atmos 7.1.4)

Up to 128 channel arrangements

Binaural delivery
✓

✓

Ambisonic (HOA) delivery
Up to 3rd order

Up to 7th order

Mid-Side M/S delivery
✓

✓

Ambisonic sources with trancoders
Unrestricted

Unrestricted

Binaural Monitoring
Multiple

Multiple

Near Field Binaural , Spherical Head Model, Snow Man Model binaural mode
✓

✓

HRTF Library
Complete HRTF Listen library

Complete HRTF Listen library

HRTF Import of SOFA files
✓

Import and Export manager

OSC Integration
✓

✓

OSC Transformation presets
✓

✓

Custom OSC Transformation
✓

✓

RTTrPM Tracking intergration
✓

✓

Channel-based to Channel-based splitter aggregator
✓

✓

Binaural – Transaural – Binaural transcoding
✓

✓

Nebula Spatial Spectrogram
✓

✓

Terminal Commands
Terminal activity log only

✓

Panning

Essential Ultimate

XY/AB/StereoPan with 7 Stereo panning law options
✓

✓

XY/AB/StereoPan with 7 Stereo panning law options
✓

✓

VBP – Vector Based Panning VBAP, VBIB, DualBand, HybridVBAP
VBAP, VBIB, DualBand, HybridVBAP

LBAP – Layer Based Amplitude Panning
✓

✓

DBAP – Distance Based Amplitude Panning
✓

✓

KNN – K Nearest Neighbour
✓

✓

AEP – Ambisonic Equivalent Panning
✓

✓

WFS – Wave Field Synthesis
With WFS option license

With WFS option license

Ambisonic / HOA

Essential Ultimate

Ambisonic (HOA) delivery
Up to 3rd order

Up to 7th order

HOA Preset: AmbiX, B-Format, SPAT Room and Custom
✓

✓

N2D/N3D, SN2D/SN3D, FuMa, MAxN Normalization
✓

✓

ACN, FMH and SID Sorting
✓

✓

Projection, Regularized Pseudo-Inverse ,Energy preserving, AllRad, Improved AllRAD decoding methods
✓

✓

Basic, InPhase, MaxRe, BasicMaxRe, MaxReInPhase, InPhaseMaxRe type decoding type
✓

✓

UHJ Stream type support
✓

✓

Availability

Essential Ultimate

SPAT Revolution stand-alone application for macOS and Windows
✓

✓

SPAT Send / Return / Room plugins available in AU / VST3 / AAX Native
SPAT Send plugin available in AAX VENUE
✓

✓

Plugins compatibility, see plugin specifications:
https://www.flux.audio/plugin-specifications/

Software Licence Requirements

An iLok.com user account is required, the iLok USB Smart Key is supported but not required, and authorization can be made to hardware machines/workstations.

Essential Ultimate

Ilok account required
✓

✓

Machine authorization is supported
✓

✓

iLok USB Smart Key support (From 2nd gen)
✓

✓

iLok Cloud support
✓

✓

Simultaneous authorizations (2)
Single activation

✓

SPAT Essential license
✓

Included in SPAT Ultimate bundle

SPAT Ultimate license
✘

Included in SPAT Ultimate bundle

WFS Panning Add-on Option Support – Now on Essential too
✓

✓

OS Compatibility

Essential Ultimate

Windows 10 – 64 bits only
✓

✓

macOS – All versions from 10.15 including macOS Big Sur and Monterey compliant *
✓

✓

* See Hardware Recommendations and Requirements section for more information on compatibility.

Hardware Recommendations and Requirements

Essential Ultimate

Specifications Listed Below
✓

✓

Single Computer (Creative Station with DAW and SPAT Revolution)

Single computer systems can provide an excellent option for portability but come with the importance of having a performing computer. As SPAT Revolution comes with a 3D graphic engine where audio objects are manipulated, GPU resources are required.

Recommended hardware:

Apple Silicon / ARM M1 *

Mac Studio M1Max / M1 Ultra off the shelf models

Mac Mini M1 Chip

MacBook Pro (13/14/16) M1 Chip

Apple Intel

MacPro

iMac Pro

MacBook Pro with PCIe bus graphic card

* SPAT Revolution is fully supported to Silicon / ARM Apple computers via the Rosetta binary translator.

Generic hardware specification:

Processing: Intel Core i9-9900K, i7-9700K or equivalent. Intel 8th generation or greater processor. (Minimum 6 cores – 8 preferred), 8 MB Cache.

System Memory: 16 minimum GB DDR4 (32 preferred when integrating with DAW and SPAT Revolution on the same machine with local audio path – LAP)

Chipset: High-quality / Professional mainboard such as Intel® Z370 Chipset

Graphic: GeForce GTX 1060 – 4GB GDDR5 Graphic Memory or greater (Graphic card fully supporting OpenGL 2.0 is required. USB displays are not supported)

Audio Interfaces:

Mac OS: Core Audio compatible interface or virtual sound card

Windows: ASIO compatible interface or virtual sound card.

Hardware for Live Productions (Dedicated SPAT Revolution Computer)

Recommended audio interfaces:

RME Digiface AVB or Dante, USB 3 Audio interface

RME Madi HDSPe, MADI FX or MADIface XT

Recommended hardware:

Apple Silicon / ARM M1

Mac Studio M1 Max (10-Core CPU, 24-Core GPU, 32 GB RAM)

Mac Studio M1 Ultra (20-Core CPU, 48-Core GPU, 64 GB RAM)

Apple Intel

MacPro, 3.5GHz 8‑core Intel Xeon W processor,Radeon Pro W5500X, 32 GB RAM

Generic recommended hardware specification:

Intel® Xeon® W family W-2200 or W-3200 Series CPU (preferred), E-22xx, or equivalent. Higher core speed. Minimum 8 Cores, 12 MB Cache

Chipset: Professional workstation chipset C422, C621, or equivalent.

System Memory: 32 – 64 GB. A system with ECC support is preferred.

Graphic: Professional NVIDIA Quadro P4000 or equivalent – 8GB GDDR5 Graphic Memory (Graphic card with full support for OpenGL 2.0)

Network: Dual network interface (NIC) – Intel I210-T1 or equivalent

OS drive (Operating System): NVMe Internal SSD

Audio Projects Hard Drive: No specifics. For redundant systems, only certified RAID systems should be used.

OS: Mac OS High Sierra – Monterey. Windows Pro 10 64-bit. Real-Time optimized OS with minimum services.

Mac OS X – OpenGL 2.0 required – Mac Pro 1.1 & Mac Pro 2.1 are not supported.

Windows – If your computer has an ATi or NVidia graphics card, please assure the latest graphic drivers from the ATi or NVidia website are installed.

Certified configurations (SPAT Revolution v.22.02.50151 and above)

These configurations are tested and validated on a computer dedicated to SPAT Revolution. All other applications have been closed, and computer has been optimized as indicated below.

Computer optimization:

Disable Wi-Fi and Bluetooth if not absolutely required

Disable Airdrop

Disable Spotlight

Disable display sleep, disk spin-down, and system sleep

Disable screen saver

Disable Time Machine

Disable software update

Disable dashboard (Catalina and prior)

Disable photos processing and Cloud services

Log out of iCloud

Complete Certified Configurations

Processing

SPAT Revolution – stand-alone software

Essential Ultimate

32/64-bits internal floating point processing.
✓

✓

Sampling rate up to 384 kHz, Block size buffer starting at 16 blocks (hardware dependant)
✓

✓

Unlimited number of Input and Output (Hardware and audio interface dependant).
32 audio input channels

✓

SPAT Revolution – Send / Room / Return plugins
See Plugin Specifications Page.

Plugins Compatibility

Access to all specifications:

All Plugins – Specifications Page

Spat Revolution

Stand alone Application

Send / Return / Room Plugins Compatiblity
Mac OS and Windows



The post SPAT Revolution appeared first on FLUX:: Immersive.

Elixir

Felix Niklasson — Tue, 23 Nov 2021 17:47:12 +0000

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Bring Your Immersive Mix To Level!

Now supports 32 channels!

Elixir True Peak Limiter is based around the same ultra transparent algorithm as the legacy Elixir v3, meticulously designed to achieve a true natural sounding result preserving the natural timbre of the audio material, used by recording and mastering engineers for almost a decade now. Supporting up to 32 channels, conforming with the ITU-R and EBU loudness norms, makes Elixir an indispensable tool for immersive audio productions including Dolby Atmos^®

Elixir

True natural sounding, preserving natural timbre of the material, ITU-R BS.1770 / EBU R128 compliant real True Peak output, up to 32 channels for multichannel/immersive workflows including Dolby Atmos^®.

Buy now  Subscribe now

* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

All Features

True Peak conforming with ITU-R and EBU norms
Meeting the broadcast, post-production, and mastering industry norms with real True Peak output in accordance with the ITU-R BS.1770 and EBU R128 norms.

Now supporting up to 32 channels
Provides up to 32 channels of processing, operating at sample rates up to 384kHz.

Multistage processing in up to 12 stages
The multistage processing provides the option to set the algorithm to perform the limiting processing in multi-stages with up to 12 stages, for even more precise and natural sounding results.

64-bit float audio processing
64-bit float audio processing mode has been engaged in order to allow for end to end 64 bit audio with DAWs/Hosts supporting this.

Revamped optimized user interface
The GUI has been completely modernized, with the workflow overhauled to enhance the user experience, and optimized to visually control the whole audio content.

Now with scalable user interface in 6 steps
The user interface is now scalable in 6 steps to easily adapt to the screen resolution of the DAW workstation; 800×600, 1000×750, 1200×900, 1300×975, 1600×1200, and 2000×1500.

Full control over the gain structure
Input / Output Gain (-12/+12 dB) applied to the limiter input, and to the output stage of the limiter.

True bypass
True bypass routing the incoming signal direct to the output for a true smooth transition between clean and processed signal.

Preset and Parameter Handling

Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.

Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.

Preset manager
The preset manager contains three preset banks; Factory bank, which Contains factory presets. Saving presets in the Factory bank is not allowed, but any of the Factory presets can be recalled into a preset section and then saved into the User bank instead, which ontains user presets only. The Global bank contains Global presets. A Global preset is a complete snapshot with all the settings from both of the preset sections as well as the position of the Preset A/B Switch

True Peak Presets
True Peak presets are available in the preset manager which are meeting the output true-peak recommendations such as; Youtube, Spotify, Apple Music and Netflix, and others.

Compatibility

(VS3 available only from Merging Technologies)



Immersive audio production, including Dolby Atmos^®

With Immersive Audio being the new driving force in the entertainment industry a new era in audio production is taking shape. Elixir supports up to 32 channels of processing making it the indispensable tool for Immersive Audio production, including Dolby Atmos^® workflows. You can either control the dynamic of the multiple 7.1.2 beds you are sending to the Dolby Atmos^® renderer, or, limit your monitoring level.

Natural precise and musical result with stage processing

For truly delicate and fine processing tasks, Elixir presents an innovative concept called Stages, providing the option to set the algorithm to perform the limiting processing in multi-stages with up to 12 stages in order to achieve even more precise and natural sounding results.

Example: If the threshold is set to -3 dB and the Stages parameter set to 3, the first stage will limit at -1dB, the second stage will limit at -2dB and the third will limit at -3dB, with analyzing performed in each of the three stages, etc.

Quick and easy setup

Elixir’s straightforward user interface makes it exceptionally easy to achieve great results, even under a tight deadline. Simply set the input level, adjust the Threshold according to the amount of limiting desired, and finally enable Make Up for gain compensation and loudness addition – That’s it!

Specifications

Access to all specifications

The post Elixir appeared first on FLUX:: Immersive.

Ircam Trax

Alexis Gentil — Thu, 17 Aug 2017 07:43:21 +0000

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The Next Generation Voice and Sonic Processing Tools

A suite of three ingenious processors using pioneering technology developed during the last decades by the sound analysis/synthesis team at IRCAM, with innovative signal transformation algorithms for altering sound characteristics such as pitch, spectral timbre and duration to manipulate properties of a voice such as gender, age and breath.

Ircam TRAX

Three ingenious voice and sonic processors, Transformer, Cross Synthesis and Source Filter, for altering pitch, spectral timbre and duration to manipulate properties of a voice such as gender, age and breath.

Buy now  Subscribe now

* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

All Features

Transformer – Real-time Voice and Sonic Modelling Processor

Input/Output Gain (Transformer) -60/+18 dB

Dry/Wet mix control (Transformer) – For mixing in unprocessed signal with the processed signal.

Read more ...

Mode (Transformer) – For selecting the type of algorithm used, Voice (vocals), Instrument (other instruments), Music (mixed music)

Source (Transformer) – For setting the frequency ranges of the material to be processed, with a learn function for automatic analysis of the material.
Target (Transformer) – Providing a range of options for the transformation of the source material.
Remix (Transformer) – A mini-mixing console where the various components of the processed audio can be mixed before sending the signal to the output.

Options (Transformer) – Controlling a number of parameters affecting the analysis-re-synthesis engine.

Modulations (Transformer) – For some fun and more creative and expressive processing, two modulators are provided; one for modulating the Pitch (Transpose), and one for the Formant.

Spectral Envelope (Transformer)- For complex remapping of the spectrum envelope, according to a freely definable curve.

Filters (Transformer) – A two-band high/low pass filter section that can be applied on the incoming or the outgoing material.

Cross Synthesis – Spectral Envelope Morphing Processor

Options (Cross Synthesis)

Oversampling adjusts the oversampling factor

Overlap controls how often the analysis is updated for a given window size

Read more ...

Window Size determines the time-frame base used to extract time localized data in time from the incoming material

Transient toggles transient processing on and off.

Amplitude (Cross Synthesis) – For controlling how the output amplitude is affected by the left and right channels.

Frequency (Cross Synthesis) – Controls the frequency content of the output with respect to the inputs.

Preset and Parameter Handling

Preset/Parameter slots

To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.

Read more ...

Parameter Morphing Slider with Automation

The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.

Source Filter – Enhanced Sound Filtering

Options (Source Filter)

Oversampling adjusts the oversampling factor

Overlap controls how often the analysis is updated for a given window size

Read more ...

Window Size determines the time-frame base used to extract time localized data in time from the incoming material.

Temporal Envelope (Source Filter) – Controls how much of the dynamics from channel 2 versus channel 1 will be imprinted onto the output signal.

Spectral Envelope (Source Filter) – Source and Filter track extraction and analysis.

True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal

Open Sound Control Support

Compatibility



Tutorials

Transformer – Real-time Voice and Sonic Modelling Processor

TRAX Transformer is based on an augmented phase vocoder technology and a cutting edge transformation algorithm, allowing for manipulating characteristic properties of a voice such as gender, age and breath, and on any other sound; expression, formant and pitch.

These voice transformation algorithms have already been used, with great success, in international and French cinema productions. (Farinelli, Vatel, Tirésia, Les amours d’Astrée and Céladon)

Source (Trax Transformer)

With the Spectral Envelope complex remapping of the actual spectrum envelope, according to a freely definable curve, can be performed.

Source (Trax Transformer)

With the Spectral Envelope complex remapping of the actual spectrum envelope, according to a freely definable curve, can be performed.

Target (Trax Transformer)

Target, provide a range of options for the transformation of the source material. In voice mode, a range of vocal types/ranges are available, and on top of that, parameters such as gender, age and breath can be used as well. For all types of material, pitch, expression and formant are provided as well.

Spectral Envelope (Transformer)

Up to eight channels of simultaneous processing for multichannel surround configuration is provided. The processing can be disengaged on any of the channels leaving the material unprocessed, bypassing the original sound.

When operating on a multi-channel bus all, up to eight in total, channels are processed by default, though the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound.

By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.

Spectral Envelope (Transformer)

Up to eight channels of simultaneous processing for multichannel surround configuration is provided. The processing can be disengaged on any of the channels leaving the material unprocessed, bypassing the original sound.

When operating on a multi-channel bus all, up to eight in total, channels are processed by default, though the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound.

By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.

Cross Synthesis – Spectral Envelope Morphing Processor

TRAX Cross Synthesis utilizes a phase vocoder (the amplitude and the frequency/phase spectra), to morph the spectral characteristics of two sounds. The amplitude and frequency/phase spectra can be blended continuously and since the features that are used here are strongly nonlinear, the sound morphing is nonlinear as well, offering a way to create a wide range of new exciting and unusual sound effects.

Source Filter – Enhanced Sound Filtering

TRAX Source Filter is based on a signal model decomposing the signal into a time envelope describing the energy/loudness contour of the sound, and a spectral envelope describing the spectral colour of the sound timbre. The energy contour and the spectral colour of the source sound, can be continuously blended with the spectral colour and energy contour of an arbitrary filtrating sound, allowing transformation that extend well beyond the more common source filter morphing effect.

Source Filter – Enhanced Sound Filtering

TRAX Source Filter is based on a signal model decomposing the signal into a time envelope describing the energy/loudness contour of the sound, and a spectral envelope describing the spectral colour of the sound timbre. The energy contour and the spectral colour of the source sound, can be continuously blended with the spectral colour and energy contour of an arbitrary filtrating sound, allowing transformation that extend well beyond the more common source filter morphing effect.

Specifications

Access to all specifications

The post Ircam Trax appeared first on FLUX:: Immersive.

Ircam Verb

Alexis Gentil — Thu, 17 Aug 2017 07:26:22 +0000

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Bring Acoustic Simulation To Your Immersive Mix!

Halfway between reverberation and a spatialization engine – The state-of-the-art in room acoustics simulation and reverberation, be it a simple Quad, an Ambisonics, or a Dolby Atmos^® deliverable, IRCAM Verb brings together multichannel reverberation with spatialization to create realistic acoustic environments for your mix soundscape!

Tutorial – Introduction To Ircam Verb

Tutorial – Using The Advanced Parameters of Ircam Verb

Tutorial – Using Ircam Verb For Atmos^® Mixing

Ircam Verb

Ircam Research Center – State of the art room acoustics simulation and reverberation, advanced perceptive models providing an intuitive user experience.

The Ircam Verb license now includes the Ircam Verb Session 2 channel version as well.

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Gearslutz demonstrating the Ircam Verb Room/Hall and the Reverb EQ

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All Features

Up to 16 channels Input/Output with support for Dolby Atmos^®

Pro Tools HD 7.1.2 & 7.0.2 Dolby Atmos^® and 3rd order bus Support

Channel Routing Matrix for routing the I/O channels depending on the actual control room monitor setup (for surround/multichannel use).

Input/Output Gain (-/+ 12 dB) for adjusting the levels before and after processing.

Read more ...

Dry/Wet control for blending the original signal with the processed signal.

True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal

Graphical representation of Early, Cluster and Reverb. Room Size.

High density setting for selecting standard/high density reverberation engine.

Decay Time controls for adjusting the decay time as well as the relative decay time of the
High/Mid/Low frequencies explicitly.

A set of 3-band filters applied to each part of the time structure for fine tuning the reverberation characteristics.

Creative Perceptual Reverb Options parameters;
Infinite (“deep-freezing” the reverb)
Air Absorption/Roll Freq. simulates the frequency dependent air absorption.
Modal Density, the frequency “smoothness” of the reverb engine
Panning, virtual source panning-direction offset
Width, panning width
Diffuseness, the directional information of the reverberation.

Open Sound Control Support

Preset and Parameter Handling

Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.

Read more ...

Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.

Compatibility



Channel Routing Matrix

Ircam Verb provides 16 input and output channels presenting the option for reverberation processing in multi-channel and surround formats, including Ambisonics and Dolby Atmos^®.

With a built in Input/Output (I/O) routing matrix instant flexibility is provided for configuring the I/O in relation to the physical audio monitoring in the control room.

General Reverb Controls and Display

Graphical representation of the Early, Cluster and Reverb with controls for High density (standard/high density reverberation engine), Early, Cluster and Reverb On/Solo controls, and Room Size, Reverb Start and Reverb Gain controls.

General Reverb Controls and Display

Graphical representation of the Early, Cluster and Reverb with controls for High density (standard/high density reverberation engine), Early, Cluster and Reverb On/Solo controls, and Room Size, Reverb Start and Reverb Gain controls.

Room, Early, Cluster and Reverb Filters

A set of 3-band filters applied to each part of the time structure for fine tuning the reverberation characteristics

Reverb Options

Creative reverb options including; Infinite (“deep-freezing” the reverb). Air Absorption/Roll Freq. simulates the frequency dependent air absorption. Modal Density, the frequency “smoothness” of the Verb engine. Panning, virtual source panning-direction offset. Width, panning width. Diffuseness, the directional information of the reverberation.

Reverb Options

Creative reverb options including; Infinite (“deep-freezing” the reverb). Air Absorption/Roll Freq. simulates the frequency dependent air absorption. Modal Density, the frequency “smoothness” of the Verb engine. Panning, virtual source panning-direction offset. Width, panning width. Diffuseness, the directional information of the reverberation.

Early (Time Structure)

Early Time Structure controls, with Early shape controlling the amplitude rise or fall of early reflections, Early Min controlling the time at which the early reflections start to appear, Early Max controlling the time at which the early reflections cease to appear and Early Distribution controlling the way early reflections are scattered in time.

Cluster (Time Structure)

Cluster Time Structure controls, with Cluster Min controlling the time at which the Cluster start to appear, Cluster Max controlling the time at which the Cluster cease to appear and Cluster Distribution controlling the way the Cluster is scattered in time.

Cluster (Time Structure)

Cluster Time Structure controls, with Cluster Min controlling the time at which the Cluster start to appear, Cluster Max controlling the time at which the Cluster cease to appear and Cluster Distribution controlling the way the Cluster is scattered in time.

Dual Preset Slots and Parameter Morphing

The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.

The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.

Specifications

Access to all specifications

The post Ircam Verb appeared first on FLUX:: Immersive.

Ircam HEar

Alexis Gentil — Thu, 17 Aug 2017 08:07:12 +0000

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Binaural Encoding Tool

Ircam HEar provides faithful reproduction of a stereo mix or a full surround mix with up to 16 channels, supporting Dolby Atmos^® with a pair of conventional stereo headphones. It relies on proven technology to model the various phenomena that occur when playing back audio material through a loudspeaker system.

Ircam HEar

Faithful binaural reproduction of a stereo mix or a full surround mix with up to 16 channels, supporting Dolby Atmos^® with a pair of conventional stereo headphones.

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We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

All Features

Up to 16 channels processing (Channel Based Virtualization) with support for Dolby Atmos^®

Pro Tools HD 7.1.2 & 7.0.2 Dolby Atmos^® Bus Support

Space Presets, presenting a range of spaces with subtly different colorations

Read more ...

Routing Matrix for mapping between the plugins inputs from the DAW track to the virtual speaker internal outputs

Speaker Mode specifies the emulated virtual speaker configuration

Speaker Width to control the width between virtual speakers, expressed in degrees, which allows for narrowing or broadening the stereo image.

Angle Shift to control the angle between the listener and the center of the virtual speakers

HEar relies on HRTF filter measurements made using a KEMAR (Knowles Electronics Manikin For Acoustic Research) dummy head and torso simulation.

Compatibility



Binaural technology

Binaural technology encompasses methods for recording, processing, synthesizing and reproducing sound that are specifically designed to preserve tridimensional localization properties.

In order to mimic the impression of a sound originating from a given incidence, it is sufficient to filter a mono signal, which on its own lacks any kind of spatial information, with both left and right HRTF filters. This constitutes the foundation of binaural synthesis.

Please note that the resulting signal is only meant to be listened to with headphones, and isn’t designed for a conventional stereo loudspeaker setup.

Signal Routing and Speaker setup

A routing Matrix provides an overview of the mapping between the plugin’s inputs from the DAW track to the virtual speaker internal outputs, and a Speaker Mode specifying which virtual speaker configuration that should be emulated.

Signal Routing and Speaker setup

A routing Matrix provides an overview of the mapping between the plugin’s inputs from the DAW track to the virtual speaker internal outputs, and a Speaker Mode specifying which virtual speaker configuration that should be emulated.

Specifications

Access to all specifications

The post Ircam HEar appeared first on FLUX:: Immersive.

Ircam Verb Session

Alexis Gentil — Thu, 17 Aug 2017 08:18:15 +0000

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The Ultimate Session Reverb

Ircam Verb Session, is based on the very same fine technology used in the acclaimed Ircam Verb, tailored for simplicity providing a fast paced workflow for achieving the perfect result instantly, presenting the ultimate high-end reverb solution for your traditional mono/stereo audio production, whether you’re a seasoned session engineer or a demanding broadcast and post-production mixer.

Ircam Verb Session*

Ircam Verb technology, quick and simplistic workflow to achieve great results instantly, ultimate reverb solution for seasoned demanding engineers and mixers.

* Ircam Verb Session is not sold as a single plugin, and only available as an included part of the Ircam Verb, Studio Session Pack, Ultimate Pack, and in the subscription plans Ultimate Pack (Rent To Own), All Plugins Pack, and Complete Pack.

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*We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

Walkthrough of Verb Session

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All Features

Up to 2 channels Input/Output.

Input/Output gain controls for adjusting the levels before and after processing.

Dry/Wet control for blending the original signal with the processed signal.

Decay Time adjusting the duration of the reverberation tail in seconds.

Read more ...

Room Size adjusting the parameters for the early reflections part (early + cluster).

PreDelay controlling the time at which the reverberation portion of the effect starts to be heard, with respect to the DIRECT signal

Time Structure Settings; Early Gain, Tail Gain, Low Damping, High Damping

Filter Section adjusts the characteristics of the filter applied to the signal fed to the reverberation engine, affecting the overall frequency response, if required.

Preset and Parameter Handling

Preset and Parameter Handling
Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.

Read more ...

Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.

Compatibility



Decay Time

The Decay Time, is the duration of the reverberation tail in seconds, the time it takes for the reverberated sound to die out. In technical terms this is often referred to as the RT60 factor, the time at which the response of the reverberation to an input signal goes below -60dB of attenuation.

Room Size

The Room Size is a meta parameter used to quickly perform a homogeneous set of parameters for the early reflections part (early + cluster). These parts are particularly important to achieve the “room” feeling of the desired space. It adjust the time structure of the whole reverberation (early-min, early-max, cluster-min, cluster-max, reverb-start).

Room Size

The Room Size is a meta parameter used to quickly perform a homogeneous set of parameters for the early reflections part (early + cluster). These parts are particularly important to achieve the “room” feeling of the desired space. It adjust the time structure of the whole reverberation (early-min, early-max, cluster-min, cluster-max, reverb-start).

Pre Delay

The Pre Delay controls the time at which the reverberation portion of the effect starts to be noticed, with respect to the DIRECT signal. Increasing this helps to distinguish between direct and effected sound and preserve intelligibility, especially with large decay times and room sizes which would otherwise drench the audio material in reverberation.

Time Structure Gain and Damping

Early Gain – Controls the level of EARLY and CLUSTER contributed to the overall effect.

Tail Gain – Controls the level of LATE/TAIL contributed to the overall effect.

Low Damping – Adjusts low-frequency damping, for increasing or decreasing the decay of bass content with respect to the rest of the spectrum

High Damping – Adjusts high frequency content damping.

.

Time Structure Gain and Damping

Early Gain – Controls the level of EARLY and CLUSTER contributed to the overall effect.

Tail Gain – Controls the level of LATE/TAIL contributed to the overall effect.

Low Damping – Adjusts low-frequency damping, for increasing or decreasing the decay of bass content with respect to the rest of the spectrum

High Damping – Adjusts high frequency content damping.

.

Filter Section

The Filter Section controls the characteristics of the filter applied to the signal fed to the reverberation engine, affecting the overall frequency response, if required.

Low Freq – Low pass filter frequency cutoff of the corresponding filter section.

High Freq – High pass filter frequency cutoff of the corresponding filter section

Dual Preset Slots and Parameter Morphing

The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.

Details:

The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.

Dual Preset Slots and Parameter Morphing

The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.

Details:

The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.

Specifications

Access to all specifications

The post Ircam Verb Session appeared first on FLUX:: Immersive.

Music Creation Archives - FLUX:: Immersive

MiRA Studio

THE FIRST IMMERSIVE AUDIO ANALYZER

MiRA Studio – The First Immersive Audio Analyzer

SIMPLE CONNECTION TO YOUR DAW

NATIVELY SUPPORTS UP TO 24 CHANNELS

NEBULA 3D OPTIMIZED

SIMPLIFIED I/O CONFIGURATION

FEATURE HIGHLIGHTS

MiRA Studio

COMPATIBILITY

WATCH AND LEARN MORE

MiRA Studio – INTRODUCTION

MiRA Studio – MULTI-CHANNEL ANALYSIS

MiRA – FLUX:: SAMPLE PUSH TECHNOLOGY

MiRA – LAYOUT CREATION WITH CUSTOMIZABLE WORKSPACES

MiRA – USER INTERFACE

RESOURCES

Online User Guide

Download & Install

License & Activation

Release Notes

Facebook Analyzer Group

SPECIFICATIONS

Features

Processing

OS Compatibility

Hardware Requirements

Software Licence Requirements

MiRA Session

GET YOUR MIX RIGHT

Get your mix RIGHT with MiRA Session Spectrum and Metering system

BE IN CONTROL OF YOUR MIX

PRECISE SPECTRUM ANALYSIS

DELIVER AT THE RIGHT LEVEL

NEBULA SCOPE ANALYSIS

FLUX:: SAMPLE PUSH TECHNOLOGY

FEATURE HIGHLIGHTS

MiRA Session

COMPATIBILITY

WATCH AND LEARN MORE

MiRA Session INTRODUCTION

MiRA – FLUX:: SAMPLE PUSH TECHNOLOGY

MiRA – LAYOUT CREATION WITH CUSTOMIZABLE WORKSPACES

MiRA – USER INTERFACE

RESOURCES

Online User Guide

Download & Install

License & Activation

Release Notes

Facebook Analyzer Group

SPECIFICATIONS

Features

Processing

OS Compatibility

Hardware Requirements

Software Licence Requirements

MiRA Ultimate

MiRA Ultimate

EVO Series

Now Available – All EVO elements as separate plugins with AAX DSP support*

The Ultimate Channel Strip Redefined

EVO Series

Compatibility

Drumkit

Phase Alignment

Guitars and Voices

Phase Alignment

Unique EVO Drive System

Restores the life and vitality

EVO In

Reframes the sound together

EVO EQ

The canvas for painting the colors

EVO Compressor

The Sound Attitude Generator

EVO Touch

The icing on the cake !

Multichannel, Dolby Atmos®, Ambisonics & High-Resolution Support

Dark Mode for Live and Theater

Now Available – All EVO elements as separate plugins with AAX DSP support^*