Live Production Archives - FLUX:: Immersive

MiRA Live

Felix Niklasson — Thu, 23 Jan 2025 22:03:36 +0000

YOUR SYSTEM TUNING AND LIVE MIXING COMPANION

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MiRA Live – Your System Tuning and Live Mixing Companion

Master the technical fundamentals of audio system calibration and live mix with confidence in a reactive, real-time environment with MiRA Live. The software features customizable workspaces tailored to your specific needs, along with pre-defined layouts for show conduct. Additionally, you’ll have access to continuous instant visual control over critical information, including sound level readings with Leq output metering and live magnitude spectrum.

MiRA Live includes a suite of dependable tools, including Transfer Function readings, Magnitude, Phase & Coherence traces, and live impulse response or real-time finder functions for delay computation with the ability to recompute captures. Take advantage of the new pairing mode increasing the capture coherence between floor and ear level microphones. The Adaptive Resolution Transform (ART) provides accurate, readable and responsive transfer function measurements.

CAPTURE, ANALYZE – SIMPLIFY YOUR SYSTEM TUNING SESSION

MiRA Live features advanced session management for system measure captures, with offline recompute support.

ADVANCED MICROPHONE CAPTURES

Support for up to 23 measurement microphones, featuring a real-time delay finder and averaging capabilities. New pairing mode increases the capture coherence between floor and ear level microphones.

LIVE SHOW LAYOUT

Choose your SPL/Leq microphone and define your settings on a Live show layout that includes three independent SPL/Leq measurement settings.

NEBULA SPATIAL VISUALIZER

Make critical localization decisions for your mix using MiRA Live and the unique FLUX:: Nebula spatial spectrogram. Monitor the output of SPAT Revolution or your favorite immersive processor output.

FEATURE HIGHLIGHTS

Multi-session capability with unlimited captures per session and offline re-computation for delay, phase, magnitude, averaging, etc.

Real-time transfer functions and impulse responses for up to 23 microphones, including average curves (manual weighting or by coherence)

Real-time delay finder and display for each microphone

Import capture and microphone calibration data from ASCII files

New pairing mode increasing the capture coherence between floor and ear level microphones

Use captures for reference targets and microphone calibration

Transfer Function with new “A.R.T” (Adaptive Resolution Transform), coherence computation and display, phase unwrapping, and smoothing algorithms

RTA customization (SUM + individual microphones)

Multiple independent LEq displays with microphone selection, time weighting mode, settings, frequency weighting, and log history

Show layout/display options for mixer or immersive processor output and measurement microphones

Metering options displaying reference or reference + microphones

Intuitive user interface with fully customizable workspaces, layouts, and settings

SYSTEM TUNING – OFFLINE

SYSTEM TUNING

LIVE SHOW

LIVE IMMERSIVE SHOW

MiRA Live

Live mix with confidence in a reactive, real-time environment with MiRA Live, part of the MiRA family of audio analysis and metering applications. MiRA Live features customizable workspaces tailored to your specific needs, along with pre-defined layouts for show conduct. Additionally, you’ll have access to continuous instant visual control over critical information, including sound level readings with Leq output metering and live magnitude spectrum.

Buy now Subscribe now

We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

COMPATIBILITY

WATCH AND LEARN MORE

MiRA Live – INTRODUCTION

MiRA Live – INTRODUCTION TO SYSTEM ANALYSIS

MiRA Live – MICROPHONE PAIRING MODE

MiRA – FLUX:: SAMPLE PUSH TECHNOLOGY

MiRA – LAYOUT CREATION WITH CUSTOMIZABLE WORKSPACES

MiRA – USER INTERFACE

RESOURCES

Online User Guide

Download & Install

License & Activation

Release Notes

Facebook Analyzer Group

SPECIFICATIONS

Features

		Session	Studio	Live	Ultimate
General	Number of channels	2 channels	Up to 24	Up to 24	Up to 24
	Custom layout and workspace	✓	✓	✓	✓
	Hardware input / output	✓	✓	✓	✓
	MiRA samplegrabber communication	✓	✓	✓	✓
	Include most of the DAW speakers arrangements – more than 200 included	✘	✓	✓	✓
	SPAT Revolution sample push communication	✓	✓	✓	✓
	Advanced management for system measure captures, with offline edition support	✘	✘	✓	✓
	Unique head/floor microphone combination (patent pending)	✘	✘	✓	✓
	All the tools to mix in Stereo	✓	✓	✓	✓
	All the tools to mix in Immersive	✘	✓	✘	✓
	All the tools to calibrate a system	✘	✘	✓	✓
	Unique 3D Nebula – Analyze your spatial mix	✘	✓	Frontal only	✓





Scope	RMS Meter	✓	✓	✓	✓
	Peak Meter	✓	✓	✓	✓
	True Peak Meter	✓	✓	✓	✓
	Loudness Meter	✓	✓	✓	✓
	Wave scope	✓	✓	✓	✓
	Stereo Vector Scope	✓	✓	✓	✓
	Nebula \| Spatial spectrogram	✓	✓	✓	✓
	Spectrogram	✓	✓	✓	✓
	RTA (Spectrum Magnitude)	✓	✓	✓	✓
	Meters History	✘	✓	✘	✓
	2D surround scope (legacy)	✘	✓	✘	✓
	3D Surround scope	✘	✓	Frontal only	✓
	Metering Statistic	✘	✓	✘	✓
	Live \|Leq	✘	✘	✓	✓
	Live \|Spectrum Transfer Function	✘	✘	✓	✓
	Live \| Impulse Response	✘	✘	✓	✓





OS	Windows 10 and Windows 11 – 64 bits only	✓	✓	✓	✓
	macOS – All version from 10.15 including macOS Big Sur and Monterey compliant	✓	✓	✓	✓

Processing	32/64-bits internal floating point processing	✓	✓	✓	✓
	Sample rate up to 384	Up to 96kHz	✓	✓	✓

Processing


32/64-bits internal floating point processing.	✓
Sampling rate up to 384 kHz DXD	✓
Network support with the MiRa SampleGrabber plug-in (Password-protected audio stream encryption available)	✓
Extremely efficient OpenGL based graphics rendering engine, capable of up to 120 fps	✓
Independent display and time-code frame rates	✓
Auto-pause controlled by user-defined threshold	✓

OS Compatibility

Windows 10 / 11 – 64bit only
MacOS 10.14.6 Mojave and latest

Access to All Specifications

Hardware Requirements

Graphics Card

In order to experience the outstanding graphical response in MiRA and to fully take advantage of the software’s analysis capabilities, using a modern NVIDIA or AMD/ATI Radeon graphics card is recommended.

Older, and other less efficient graphics cards do not have the required performance and specifications, and will offload too much work to the CPU.

A graphic card fully supporting OpenGL 2.0 is required.

macOS: OpenGL 2.0 required – Mac Pro 1.1 & Mac Pro 2.1 are not supported. Apple Silicon Universal Binary ARM Mx Supported
Windows: If your computer has an ATi or NVidia graphics card. please ensure the latest graphic drivers from the ATi or NVidia website are installed. Generic drivers may contain bugs and are, in general, less up-to-date with optimizations presented in drivers specific to your particular graphics card model.
USB displays are not supported

Audio Interface

macOS: any Core Audio compatible interface or virtual sound card
Windows: any ASIO-compatible interface or virtual sound card

Software Licence Requirements


iLok account required	✓
Machine authorization is supported	✓
iLok USB Smart Key support (From 2nd gen)	✓
iLok Cloud support	✘
Simultaneous authorizations (2)	✓

The post MiRA Live appeared first on FLUX:: Immersive.

MiRA Ultimate

Felix Niklasson — Thu, 23 Jan 2025 22:01:57 +0000

MiRA Ultimate

MiRA Ultimate is the pinnacle of the MiRA audio analysis suite of software packaging all three MiRA applications – MiRA Live, MiRA Studio, and MiRA Session – in one convenient bundle.

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* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

MiRA – The Ultimate Analyzer

Experience MiRA the brightest star in the audio analysis universe. The MiRA analyzer family from FLUX:: is stand-alone software that includes an extensive suite of tools for diverse audio analysis and measurement applications, including mixing and mastering, system calibration, and loudness metering.

With full support for multi-channel immersive audio deployments, MiRA is a versatile solution that can meet all your needs for audio analysis, designed with a focus on superior visual response, enhancing real-time audio capture through detailed processing for exceptional visualization.

The post MiRA Ultimate appeared first on FLUX:: Immersive.

EVO Series

Felix Niklasson — Thu, 29 Dec 2022 14:04:11 +0000

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Now Available – All EVO elements as separate plugins with AAX DSP support^*

The Ultimate Channel Strip Redefined

The essential element of all analog consoles is the Channel Strip and the philosophy behind it is to be able to be efficient, fast, and make things sound great from the start. When we designed the EVO Channel we wanted it to be as efficient, fast and hands-on as a channel is on a console, while presenting the advantages of creative digital innovation in terms of workflow and sound, to in the end provide everything you need to stay in control of your mix!

EVO Series

Gain/Drive, Phase, Compressor, EQ, DeEsser, Expander, Transient/Sustain Designer, Hands-on interface, Fast workflow, Adjustable signal flow, Stay in Control of Your sound!

Evo Series Pack includes all 5 EVO plugins:
Evo Channel
Evo In
Evo EQ
Evo Comp
Evo Touch

Buy now Subscribe now

* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

“Evo Channel is quite packed, covering not only the ‘vanilla’ features one expects from a channel strip but also moving forward with the with Touch section and Phase slider, introducing aspects not usually seen on this kind of plug-ins. Zero added latency, rather friendly CPU load for a plug-in with this feature set, easily allowing to run as many instances as needed.”

“Evo Channel is a pretty powerful little tool that does an extremely impressive job, sounds really good and is really fast to work with!”

Josh Voyles

“What I like about the Drive section in EVO Channel is that it’s not a distorted sound, it’s just kind of a saturated sound adding a little bit more fatness and roundness to your sound, and it’s actually really subtle still even at 60-70 percent!”

“I really like EVO Channel and the results that I get from it, it’s straight to the point, sounds great, easy to use, and I really like the workflow!”

“Musical, intuitif, doté de fonctions atypiques, peu gourmand en ressources et plus souple que la majorité des produits concurrents, c’est un outil professionnel puissant qui saura satisfaire toute personne à la recherche d’une tranche de console virtuelle ayant du caractère tout en respectant la nature du signal source.”

Compatibility

(VS3 available only from Merging Technologies)

^* EVO Channel is available in AU/VST2&3/AAX Native only/VS3

Behind the EVO Series

“All the right tools are there to assist the creativity of a sound engineer, and the technology should not limit what he can do – It’s still the human who need to be making the decisions!” – Yves Jaget

Pour la version française, cliquez ici.

Tutorials

Pour la version française, cliquez ici.

Demo Sessions

Sample recordings with the microphone phase aligned using the EVO Channel and EVO In Phase.
Connect your studio monitors or headphones, and enjoy the aligned natural sound!

Drumkit

A drum kit recording with multiple microphones using EVO Phase to phase align the microphones.

Phase Alignment

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OFF ON

If you can’t believe it, try it yourself !
The session can be downloaded below.

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Guitars and Voices

Guitars and voices recorded with multiple microphones using EVO Phase to phase align the microphones.

Phase Alignment

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OFF ON

If you can’t believe it, try it yourself !
The session can be downloaded below.



Unique EVO Drive System

Restores the life and vitality

A well-managed gain structure is paramount for creating an optimized signal-chain and regenerating harmonics can bring the texture you want. In each of the EVO plugins a signal Drive, designed to add a soft saturation and warmth to the material, is available directly at the input gain for restoring and maintaining the vitality of the sound.

EVO In

Reframes the sound together

One of the most crucial parameters to take into account is Phase, or “The art of using multiple microphones on one and the same sound source”, a classic example is when setting up the sound for a drum kit.

Controlling the Phase of microphones is universal and relevant both for studio and live use. In EVO Channel and EVO In, an Arbitrary and Linear Phase Rotation throughout the spectrum is provided, to accomplish the same natural thing as when physically moving a microphone.

The Phase is the result of FLUX:: proprietary research, a unique algorithm allowing linear phase correction with zero latency.

EVO EQ

The canvas for painting the colors

One of the cornerstones in a Channel Strip is a well-built, efficient and complete Equalizer.

The equalizer in the EVO Channel and EVO EQ is a straightforward comprehensive 4-band parametric equalizer with an additional low/high shelf and a 6-24 dB low/high cut filter.

The graphical interactive EQ curve is layered on top of the built in Spectrum Analyzer for hands-on editing with direct connection to the visual response.

The spectrum analyzer originates from the FLUX:: Analyzer and has been optimized for the EVO Channel and EVO EQ. It provides an accurate direct view of what’s going on in the different frequency domains of your material.

EVO Compressor

The Sound Attitude Generator

In addition to controlling the signal dynamics, the compressor is often used for shaping the attitude of a sound. To use a compressor in a creative and artistic fashion it’s important that it’s easy to use and has the ability to create an interesting sound.

The EVO Channel and EVO Comp offers a wide range and variety of sound with nine different compression modes, and a Wet / Dry control for adjusting the level of compression, allowing for parallel compression within the module.

EVO Touch

The icing on the cake !

The Final Touch – EVO Touch, also available in EVO Channel, is a polymorphic section offering a variety of different processors designed to adapt to the requirements of the material, with seven different processing modes including a frequency dependent DeEsser, Expander and a Transient and Sustain Shape designer.

Multichannel, Dolby Atmos®, Ambisonics & High-Resolution Support

Multichannel being at the core of FLUX:: Immersive, The EVO Series plugins are designed to support mixing and creation of multichannel surround and immersive audio production content. Each module supports up to 16 channels which include Dolby Atmos® 7.1.2 / 7.0.2 Track and Bus all the way for creating and manipulating Ambisonic audio and mixes all the way to Third order Ambisonics

High Resolution DXD Audio with sampling rates up to 384 kHz is supported.

Dark Mode for Live and Theater

The visual display mode of the graphical user interface in the EVO Series plugins can be set to a Dark or a Light mode.

The Dark mode is created to provide an option for situations like Live and Theater performances where discretion can be of real importance.

Specifications

Access to all specifications

The post EVO Series appeared first on FLUX:: Immersive.

SPAT Revolution

Alexis Gentil — Thu, 17 Aug 2017 10:50:05 +0000

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Try Subscribe RTO Buy

SPAT Revolution 25.12 – Available Now!

SPAT Revolution 25.12 update, delivering powerful new features and refinements to enhance your immersive workflow – This release introduces among other things:

New SPAT Send Plugin with an intuitive UI for streamlined routing and control
Expanded snapshot recall scope with safe matrix handling for greater flexibility
Sum, Delay, Gain, and Polarity controls in both Master and Transcoder matrices
Restructured 3D View preferences for improved visualization and customization

The SPAT Revolution 25.12 Service Release is a free update for all users with a valid perpetual license or an active subscription plan and is available now in FLUX:: Center.

From Creation to Real-time Immersive Delivery

Empowering artists, sound-designers and sound-engineers virtually unlimited possibilities to design, create and mix an outstanding real-time immersive experience.

(Éléphantmat – crédit Photo Louis Lefranc)

For a wide-span of Immersive creation and production use cases

Live concert production and diffusion
Music mixing for multi rendering format
Sound design for film, music and theatre
AR/VR production
Audio for gaming
Binaural for artist monitoring and audience experience
Spatial audio composition for sound installations
360 audio/video production
Scientific research and development
Audio-visual immersive experience installations
Corporate events and installations.
Interactive sound creations & environmental sound
Broadcasting 3D audio shows and concerts

Bring a sense of space and depth to your mix with the next generation audio mixing concepts

A revolutionary object & perceptual immersive mixing tool redefining the way of mixing where you intuitively position objects in spaces and let the acoustic signature of the room build the desired depth

Bring your various audio sources as objects moving into a virtual space in a output format agnostic way while allowing you to create acoustic space (reverberation) with localized reflections.

It simply means spaciousness to your mix from multiple sound source formats supported.

More Info

Mono, stereo or multi-channel objects
A-Format microphone support with input transcoder
- Sennheiser Ambeo
- Soundfield ST250, ST450 and SPS200
- Core Sound TetraMic
- DPA-4 Microphone
- Oktava MK4012
- Rode NT SF1
High Order Ambisonic (HOA) 2D/3D, Up to 7th order with input transcoder

AmbiX (SN2D/SN3D, ACN)
B-Format (FUMA, FMH)
Input transcoder with;

FUMA, MaxN, N2D/N3D, SN2D/SN3D normalization option
ACN, FMH and SID sorting options
Yaw, Pitch Roll control

The most wanted Panning methods and Spatialization techniques at your fingertips

Render for various deliverables

Audio is literally living a paradigm shift, moving beyond stereo to various spatial audio techniques. At the core of SPAT Revolution is a desire not to impose on panning methods and spatialization techniques rather to offer a wide range of possibilities, including panning techniques for working with audiences in wide areas not confined to traditional sweet spots for live and installation setups.

Being for improving the frontal resolution for concert diffusion, to immerse the audience with surround audio, to render to any channel-based or scene-based formats, to deliver spatial audio over headphones, SPAT Revolution simply opens up to the most advanced techniques and brings them to your fingertips.

Deliver a stable soundscape throughout an entire listening area with WFS

With today’s demand for the entertainment to completely immerse the audience in the experience, and for producing a stable soundscape image throughout an entire audience listening area, the distinctive WFS , Wave Field Synthesis technique for spatial audio reproduction is offered as a license add-on option to SPAT Revolution Ultimate offer.

WFS aims to reproduce the true physical attributes of a given sound field (the waves front) over an extended listening area, an approach that relies on delay and amplitude. It is deployed on collinear speaker systems (line of speakers in a frontal setting) and with qualified 2D/3D speaker arrangements surrounding the audience.

Test Drive WFS

Channel-based Formats

Stereo with various pan law options, XY and AB
Multi-channel system using position or direction based panning techniques

Basic Angular
Distance-based amplitude panning (DBAP) for equal intensity panning
K Nearest Neighbour (KNN)
Layer-based amplitude panning (LBAP) such as the ones used in typical panners (Ex: Dolby)
Speaker-placement correction amplitude panning (SPCAP)
Vector-based panning (VBAP, VBIP, DualBandVBP, Hybrid VBP)
Wave Field Synthesis (available as an option)

Scene-based Formats

High Order Ambisonic (HOA) 2D/3D, Up to 7th order

AmbiX, B-Format and SPAT Room presets
FUMA, MaxN, N3D, SN3D Normalization option
ACN, FMH and SID Sorting options

Binaural audio using HRTF library
Binaural audio with nearfield effect using HRTF (Ultimate only)
Binaural audio using spherical head or snowman model (Ultimate only)
Mid-Side (MS)

What Our Users Think

From decades of groundbreaking research at Ircam

SPAT Revolution is the result of a successful partnership between FLUX:: Engineering and the French research institute Ircam (Institute for Research and Coordination in Acoustics/Music), created to make decades of groundbreaking research performed at Ircam available to the world in a format adapted for the workflow in the digital music and audio industry.

Designed to integrate into any workflow

Rapidly deploy and manage your object-based mix session using a simple setup wizard using your physical or virtual audio interface of choice as your hardware I/O or vastly expand your DAW’s capabilities using SPAT plugin suites (AAX, AU, VST3) and audio pipe technology for software audio routing and parameters automation

Add remote integration using control devices, show control application, trajectory software and digital mixing consoles over the network, through the Open Sound Control (OSC) protocol.

Take advantage of ReaVolution, a Reaper package for SPAT Revolution facilitating the setup, integration, and workflow for immersive audio creation and production

More Information:

Use your audio interface of choice for real-time processing
Support of different Input and Output hardware devices
Integrate with virtually any DAW and External Controllers
Use integration templates for various third-party tools
ReaVolution, A 100% Freeware customization of Reaper available to users to make the integration of SPAT Immersive workflow
Live Console template for Avid VENUE S6L, DiGiCo SD and SSL Live
Configure with a simple Setup Wizard to rapidly create sessions with your desired formats.
Manage your speaker arrangements from predefined to custom..
Input naming and I/O matrix windows for configuring hardware patches
Drag and Drop module feature

Main Features

Two license options to choose from

c<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n

SPAT Revolution Essential<\/b><\/span><\/h4>\n<\/td>\n

\u00a0<\/span><\/td>\n

SPAT Revolution Ultimate<\/b><\/span><\/h4>\n<\/td>\n<\/tr>\n

Single virtual room environment<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Multi virtual room environments<\/span><\/td>\n<\/tr>\n

Deliver channel-base, binaural and ambisonic up to 3rd order
<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Deliver simultaneously for channel-base, binaural and ambisonic up to 7th order<\/span><\/td>\n<\/tr>\n

Channel-based predefined and custom setups up to 16ch. (including Dolby Atmos)<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Channel-based\u00a0 predefined and custom setups up to 128ch<\/span><\/td>\n<\/tr>\n

Up to 32 audio input channels<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Unlimited audio channels<\/span><\/td>\n<\/tr>\n

Virtualization of speaker setup (binaural monitoring)<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Multi environment virtualization (binaural monitoring)<\/span><\/td>\n<\/tr>\n

Complete HRTF management (Listen library) with SOFA import\u00a0
<\/span><\/td>\n

\u00a0<\/span><\/td>\n

Complete HRTF management (Listen library) with SOFA import<\/span><\/td>\n<\/tr>\n

OSC integration<\/span><\/td>\n

\u00a0<\/span><\/td>\n

OSC and RTTrPM tracking integration<\/span><\/td>\n<\/tr>\n

OSC custom transformations<\/span><\/td>\n

\u00a0<\/span><\/td>\n

OSC custom transformations<\/span><\/td>\n<\/tr>\n

Nebula Spatial Spectrogram<\/span><\/span><\/td>\n

\u00a0<\/span><\/td>\n

Nebula Spatial Spectrogram<\/span><\/td>\n<\/tr>\n

WFS Technology Add-on Option Support<\/span> <\/span><\/td>\n

<\/span><\/td>\n

WFS Technology Add-on Option Support<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>","tablet":"

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n

SPAT Revolution Essential<\/b><\/span><\/h4>\n<\/td>\n

<\/span><\/td>\n

SPAT Revolution Ultimate<\/b><\/span><\/h4>\n<\/td>\n<\/tr>\n

Single virtual room environment<\/span><\/td>\n

<\/span><\/td>\n

Multi virtual room environments<\/span><\/td>\n<\/tr>\n

Deliver channel-base, binaural and ambisonic up to 3rd order<\/span><\/td>\n

<\/span><\/td>\n

Deliver simultaneously for channel-base, binaural and ambisonic up to 7th order<\/span><\/td>\n<\/tr>\n

Channel-based predefined and custom setups up to 12ch. (including Dolby Atmos)<\/span><\/td>\n

<\/span><\/td>\n

Channel-based predefined and custom setups up to 64ch<\/span><\/td>\n<\/tr>\n

Up to 32 source audio channels<\/span><\/td>\n

<\/span><\/td>\n

Unlimited audio channels<\/span><\/td>\n<\/tr>\n

Ambisonic 1st order source (2)<\/span><\/td>\n

<\/span><\/td>\n

Ambisonic up to 7th order (HOA)<\/span><\/td>\n<\/tr>\n

Virtualization of speaker setup (binaural monitoring)<\/span><\/td>\n

<\/span><\/td>\n

Multi environment virtualization (binaural monitoring)<\/span><\/td>\n<\/tr>\n

HRTF Library of 12 models<\/span><\/td>\n

<\/span><\/td>\n

Complete HRTF Listen library and SOFA import<\/span><\/td>\n<\/tr>\n

OSC integration <\/span><\/td>\n

<\/span><\/td>\n

OSC and RTTrPM tracking integration<\/span><\/td>\n<\/tr>\n

Predefined OSC transformation presets<\/span><\/td>\n

<\/span><\/td>\n

Custom OSC transformation <\/span><\/td>\n<\/tr>\n

Simple setup management <\/span><\/td>\n

<\/span><\/td>\n

Complete flexible module setup configuration<\/span><\/td>\n<\/tr>\n

Up to 96Khz<\/span> <\/span><\/span><\/td>\n

<\/span><\/td>\n

Up to 384Khz<\/span><\/td>\n<\/tr>\n

<\/span><\/td>\n

Nebula Spatial Spectrogram<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>","phone":"

SPAT Revolution Essential<\/b><\/span><\/h4>\n
Single virtual room environment<\/span>
\nDeliver channel-base, binaural and ambisonic up to 3rd order<\/span>
\nChannel-based predefined and custom setups up to 12ch. (including Dolby Atmos)<\/span>
\nUp to 32 source audio channels<\/span>
\nAmbisonic 1st order source (2)<\/span>
\nVirtualization of speaker setup (binaural monitoring)<\/span>
\nHRTF Library of 12 models<\/span>
\nOSC integration<\/span>
\nPredefined OSC transformation presets<\/span>
\nSimple setup management<\/span>
\nUp to 96Khz<\/span><\/p>\n
SPAT Revolution Ultimate<\/b><\/span><\/h4>\n
Multi virtual room environments<\/span>
\nDeliver simultaneously for channel-base, binaural and ambisonic up to 7th order<\/span>
\nChannel-based predefined and custom setups up to 64ch<\/span>
\nUnlimited audio channels<\/span>
\nAmbisonic up to 7th order (HOA)<\/span>
\nMulti environment virtualization (binaural monitoring)<\/span>
\nComplete HRTF Listen library and SOFA import<\/span>
\nOSC and RTTrPM tracking integration<\/span>
\nCustom OSC transformation<\/span>
\nComplete flexible module setup configuration<\/span>
\nUp to 384Khz<\/span>
\nNebula Spatial Spectrogram<\/span><\/p>"}},"slug":"et_pb_text"}" data-et-multi-view-load-tablet-hidden="true" data-et-multi-view-load-phone-hidden="true">
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SPAT Revolution Essential

SPAT Revolution Ultimate

Single virtual room environment Multi virtual room environments

Deliver channel-base, binaural and ambisonic up to 3rd order
Deliver simultaneously for channel-base, binaural and ambisonic up to 7th order

Channel-based predefined and custom setups up to 16ch. (including Dolby Atmos) Channel-based predefined and custom setups up to 128ch

Up to 32 audio input channels Unlimited audio channels

Virtualization of speaker setup (binaural monitoring) Multi environment virtualization (binaural monitoring)

Complete HRTF management (Listen library) with SOFA import
Complete HRTF management (Listen library) with SOFA import

OSC integration OSC and RTTrPM tracking integration

OSC custom transformations OSC custom transformations

Nebula Spatial Spectrogram Nebula Spatial Spectrogram

WFS Technology Add-on Option Support WFS Technology Add-on Option Support

options and
Available as perpetual, subscription, and subscription with rent to own option – Educational program offer available.

See complete specification Here

Advanced Features

Speaker Configuration Management

Import speaker arrangements from simulation software of Adamson Blueprint AV, CODA Audio, Nexo NS-1, d&b audiotechnik, EASE, or simply, from Excel

Speaker arrangement panning tips and validation guidelines

Per speaker channel mute option in the virtual room

Modify your speaker arrangements with offset, mirror, scale and many more transformations

Add speakers in batches with various uniform distribution types

Insert background images of various size to your room arrangement with scaling and offset options

Objects, Snapshots and Transformation

Deploy new ways to manage your object-based mix with the snapshot system. Change an audio mix scene with snapshot recall with interpolation time done manually, via OSC or with touch remote control (ex: Lemur). To facilitate transformations like moving sources, source transform feature, with an interpolation time, allows you to manipulate sources/objects positions

Virtual mixing room environment with source and speaker name tag

Snapshot system giving the ability to create static images and recall with interpolation time

Source transformation for source/object action with interpolation time

iOS remote templates (Lemur) for touch interface to controlling sources and snapshots (with Multi-touch template)

Powerful OSC interpreter and Real-time tracking system

8 OSC Connections

BlackTrax Real Time Tracking RTTrPM Protocol input (Ultimate only)

Sources and Listener positions tracking in 6 DOF

IRCAM ADMix, SPAT and Meyer SpaceMap Go OSC grammar on input.

ADM-OSC support on input and output

OSC Output options for Auto-Bundle and Touch/Release messages

OSC presets for SPAT plug-ins, Lemur controllers, Avid S6L, Digico, SSL Live and ADM-OSC

OSC transformation allowing for value rescaling, offsetting, converting and much more

Use control OSC messages (index -1) for active selection.

Encoding and Decoding with Transcoding Modules

SPAT Revolution objects stream type can span from many types of microphones, arrays, HOA captures, and from any type of pre-produced stems. It can render content in HOA up to 7th order. Supporting a vast range of stream formats, transcoder modules allow modification of the channel count of the stream passing through it, depending on the format transfer being requested. For example, transcoding from Ambisonic B-Format into a Channel Based 3D Cube involves a four-channel Ambisonic stream getting transcoded into an eight-channel stream grouped and treated as a specific speaker configuration.

See Specifications for SPAT Revolution Essential limitations.

A-Format microphone support:

Sennheiser Ambeo

Soundfield

Core Sound

DPA Oktava

Røde

Steam type Input to Output transcoding

A-Format to B-Format

A/B-Format to Channel Based

A/B-Format to HOA

B-Format to UHJ

Binaural to Transaural

Channel Based (C.B) to Channel Based; Channel splitter aggregator

HOA to Channel-based

HOA to HOA for conversion of normalization, channel-arrangement, 2D/3D

HOA presets for AmbiX, A & B-Format

Mid/Side (MS) to Channel Based

UHJ to B-Format

Decoding Methods:

Projection

Regularized Pseudo-Inverse

Energy preserving

AllRad

Improved AllRAD

Decoding Type:

Basic

InPhase

MaxRe

BasicMaxRe

MaxReInPhase

InPhaseMaxRe type

Normalization options:

N2D/N3D

SN2D/SN3D

FuMa

MaxN

Sorting options:

ACN

SID

FMH

Multi-Virtual Room (Ultimate Only)

In SPAT Revolution the source objects are spatialized inside virtual rooms with spatial positioning, panning, reverberation and output format taken into consideration when calculating the output rendering.

In order to encompass various different workflows or render different deliverables, multiple rooms can be created and used simultaneously, in parallel, with individual independent output formats.

Summing this up is the ability to binaurally monitor (virtualize) a scene from a channel based output, giving an impression of how the mix might sound diffused by a particular speaker arrangement (including the space between speakers and gain characteristics belonging to selected panning types).

Unique Nebula Spatial Spectrogram

Nebula is a technology adapted from FLUX:: Analyzer System, simulating how sound sources localize their sound over different speaker setups, providing a unique representation of the sound-field, in terms of spectral content and localization, in real-time inside the 3D virtual room display.

User Stories

FLUX:: delivers spatial audio with SPAT Revolution at Lisbon Culturgest venue

Culturgest in Lisbon becomes the first venue in Portugal to implement a fully immersive live sound system using FLUX:: SPAT Revolution. As one of Lisbon’s most respected cultural institutions, Culturgest sought to expand the creative potential of its flagship Emílio...

JBL Professional and FLUX:: Powers Immersive Audio Breakthrough in Vietnam’s CHÀO Show

HARMAN delivers Asia-Pacific’s first immersive audio system for live cultural performance, redefining the audience experience through cutting-edge spatial sound and seamless AV integration HO CHI MINH CITY, VIETNAM — HARMAN Professional Solutions, in collaboration...

Biwako Hall Center for the Performing Arts, Shiga, Installs FLUX:: SPAT Revolution Immersive Audio System Software

Groundbreaking installation of SPAT Revolution integration delivers elevated auditory experience for Opera and Classical Performances in Shiga Prefecture; Japan’s First Permanent SPAT Revolution Install in a Theater SHIGA, JAPAN – The esteemed Biwako Hall in Shiga...

More User Stories

Additional Resources

Online User Guide

Download & Install

License & Activation

Release Notes

Templates & Presets

DAW Integration Templates and Presets

Steinberg Nuendo, AVID Pro Tools, Merging Technologies Pyramix, Cockos Reaper, REAVolution, and Apple Logic Pro X.

Live Console integration templates

Avid VENUE S6L, Digico and Solid State Logic (SSL) Live

OSC Control and Commands

Lemur Remote Templates, Qlab OSC Cue examples and OSC Commands for Spat Revolution.

Speaker Management and Scripts

Custom Speaker Arrangement Scripts, Speaker import from Excel templates, Speaker arrangements for various Domes and Planetariums.

Technical Articles

Introducing Relative OSC: Simplifying Audio Parameter Controls

With the release of version 25.01 SPAT Revolution introduces an exciting feature: the support of Relative OSC messages. This innovative functionality offers the capability to adjust parameter values dynamically, without needing to know the current value. Absolute vs....

Navigating SPAT Revolution – From Studio Creation to Live Deployment

In the realm of audio production, the transition from the controlled studio environment to the variety of live setup deployment choices poses a pivotal challenge. This challenge becomes particularly significant when working with SPAT Revolution and its ability to...

Ambisonics: How to Handle Subwoofers and Low Frequency Effect

In this article, we will look at different methods to handle subwoofer and bass extension when dealing with Ambisonics in SPAT Revolution. Specifically, we will investigate solutions at the reproduction stage as well as the creation stage. LFE vs Bass Management...

More Technical Articles

Specifications

Features

Essential Ultimate

Setup Wizard
✓

✓

Module configuration and manual setup management (Add, Remove and Duplicate)
✓

✓

Multi virtual room environments
Single Room

✓

Efficiency zone and clamping
✓

✓

Acoustic Simulation / Reverberation
✓

✓

Channel-Based delivery
Up to 16 channel arrangements (including Dolby Atmos 7.1.4)

Up to 128 channel arrangements

Binaural delivery
✓

✓

Ambisonic (HOA) delivery
Up to 3rd order

Up to 7th order

Mid-Side M/S delivery
✓

✓

Ambisonic sources with trancoders
Unrestricted

Unrestricted

Binaural Monitoring
Multiple

Multiple

Near Field Binaural , Spherical Head Model, Snow Man Model binaural mode
✓

✓

HRTF Library
Complete HRTF Listen library

Complete HRTF Listen library

HRTF Import of SOFA files
✓

Import and Export manager

OSC Integration
✓

✓

OSC Transformation presets
✓

✓

Custom OSC Transformation
✓

✓

RTTrPM Tracking intergration
✓

✓

Channel-based to Channel-based splitter aggregator
✓

✓

Binaural – Transaural – Binaural transcoding
✓

✓

Nebula Spatial Spectrogram
✓

✓

Terminal Commands
Terminal activity log only

✓

Panning

Essential Ultimate

XY/AB/StereoPan with 7 Stereo panning law options
✓

✓

XY/AB/StereoPan with 7 Stereo panning law options
✓

✓

VBP – Vector Based Panning VBAP, VBIB, DualBand, HybridVBAP
VBAP, VBIB, DualBand, HybridVBAP

LBAP – Layer Based Amplitude Panning
✓

✓

DBAP – Distance Based Amplitude Panning
✓

✓

KNN – K Nearest Neighbour
✓

✓

AEP – Ambisonic Equivalent Panning
✓

✓

WFS – Wave Field Synthesis
With WFS option license

With WFS option license

Ambisonic / HOA

Essential Ultimate

Ambisonic (HOA) delivery
Up to 3rd order

Up to 7th order

HOA Preset: AmbiX, B-Format, SPAT Room and Custom
✓

✓

N2D/N3D, SN2D/SN3D, FuMa, MAxN Normalization
✓

✓

ACN, FMH and SID Sorting
✓

✓

Projection, Regularized Pseudo-Inverse ,Energy preserving, AllRad, Improved AllRAD decoding methods
✓

✓

Basic, InPhase, MaxRe, BasicMaxRe, MaxReInPhase, InPhaseMaxRe type decoding type
✓

✓

UHJ Stream type support
✓

✓

Availability

Essential Ultimate

SPAT Revolution stand-alone application for macOS and Windows
✓

✓

SPAT Send / Return / Room plugins available in AU / VST3 / AAX Native
SPAT Send plugin available in AAX VENUE
✓

✓

Plugins compatibility, see plugin specifications:
https://www.flux.audio/plugin-specifications/

Software Licence Requirements

An iLok.com user account is required, the iLok USB Smart Key is supported but not required, and authorization can be made to hardware machines/workstations.

Essential Ultimate

Ilok account required
✓

✓

Machine authorization is supported
✓

✓

iLok USB Smart Key support (From 2nd gen)
✓

✓

iLok Cloud support
✓

✓

Simultaneous authorizations (2)
Single activation

✓

SPAT Essential license
✓

Included in SPAT Ultimate bundle

SPAT Ultimate license
✘

Included in SPAT Ultimate bundle

WFS Panning Add-on Option Support – Now on Essential too
✓

✓

OS Compatibility

Essential Ultimate

Windows 10 – 64 bits only
✓

✓

macOS – All versions from 10.15 including macOS Big Sur and Monterey compliant *
✓

✓

* See Hardware Recommendations and Requirements section for more information on compatibility.

Hardware Recommendations and Requirements

Essential Ultimate

Specifications Listed Below
✓

✓

Single Computer (Creative Station with DAW and SPAT Revolution)

Single computer systems can provide an excellent option for portability but come with the importance of having a performing computer. As SPAT Revolution comes with a 3D graphic engine where audio objects are manipulated, GPU resources are required.

Recommended hardware:

Apple Silicon / ARM M1 *

Mac Studio M1Max / M1 Ultra off the shelf models

Mac Mini M1 Chip

MacBook Pro (13/14/16) M1 Chip

Apple Intel

MacPro

iMac Pro

MacBook Pro with PCIe bus graphic card

* SPAT Revolution is fully supported to Silicon / ARM Apple computers via the Rosetta binary translator.

Generic hardware specification:

Processing: Intel Core i9-9900K, i7-9700K or equivalent. Intel 8th generation or greater processor. (Minimum 6 cores – 8 preferred), 8 MB Cache.

System Memory: 16 minimum GB DDR4 (32 preferred when integrating with DAW and SPAT Revolution on the same machine with local audio path – LAP)

Chipset: High-quality / Professional mainboard such as Intel® Z370 Chipset

Graphic: GeForce GTX 1060 – 4GB GDDR5 Graphic Memory or greater (Graphic card fully supporting OpenGL 2.0 is required. USB displays are not supported)

Audio Interfaces:

Mac OS: Core Audio compatible interface or virtual sound card

Windows: ASIO compatible interface or virtual sound card.

Hardware for Live Productions (Dedicated SPAT Revolution Computer)

Recommended audio interfaces:

RME Digiface AVB or Dante, USB 3 Audio interface

RME Madi HDSPe, MADI FX or MADIface XT

Recommended hardware:

Apple Silicon / ARM M1

Mac Studio M1 Max (10-Core CPU, 24-Core GPU, 32 GB RAM)

Mac Studio M1 Ultra (20-Core CPU, 48-Core GPU, 64 GB RAM)

Apple Intel

MacPro, 3.5GHz 8‑core Intel Xeon W processor,Radeon Pro W5500X, 32 GB RAM

Generic recommended hardware specification:

Intel® Xeon® W family W-2200 or W-3200 Series CPU (preferred), E-22xx, or equivalent. Higher core speed. Minimum 8 Cores, 12 MB Cache

Chipset: Professional workstation chipset C422, C621, or equivalent.

System Memory: 32 – 64 GB. A system with ECC support is preferred.

Graphic: Professional NVIDIA Quadro P4000 or equivalent – 8GB GDDR5 Graphic Memory (Graphic card with full support for OpenGL 2.0)

Network: Dual network interface (NIC) – Intel I210-T1 or equivalent

OS drive (Operating System): NVMe Internal SSD

Audio Projects Hard Drive: No specifics. For redundant systems, only certified RAID systems should be used.

OS: Mac OS High Sierra – Monterey. Windows Pro 10 64-bit. Real-Time optimized OS with minimum services.

Mac OS X – OpenGL 2.0 required – Mac Pro 1.1 & Mac Pro 2.1 are not supported.

Windows – If your computer has an ATi or NVidia graphics card, please assure the latest graphic drivers from the ATi or NVidia website are installed.

Certified configurations (SPAT Revolution v.22.02.50151 and above)

These configurations are tested and validated on a computer dedicated to SPAT Revolution. All other applications have been closed, and computer has been optimized as indicated below.

Computer optimization:

Disable Wi-Fi and Bluetooth if not absolutely required

Disable Airdrop

Disable Spotlight

Disable display sleep, disk spin-down, and system sleep

Disable screen saver

Disable Time Machine

Disable software update

Disable dashboard (Catalina and prior)

Disable photos processing and Cloud services

Log out of iCloud

Complete Certified Configurations

Processing

SPAT Revolution – stand-alone software

Essential Ultimate

32/64-bits internal floating point processing.
✓

✓

Sampling rate up to 384 kHz, Block size buffer starting at 16 blocks (hardware dependant)
✓

✓

Unlimited number of Input and Output (Hardware and audio interface dependant).
32 audio input channels

✓

SPAT Revolution – Send / Room / Return plugins
See Plugin Specifications Page.

Plugins Compatibility

Access to all specifications:

All Plugins – Specifications Page

Spat Revolution

Stand alone Application

Send / Return / Room Plugins Compatiblity
Mac OS and Windows



The post SPAT Revolution appeared first on FLUX:: Immersive.

Elixir

Felix Niklasson — Tue, 23 Nov 2021 17:47:12 +0000

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Bring Your Immersive Mix To Level!

Now supports 32 channels!

Elixir True Peak Limiter is based around the same ultra transparent algorithm as the legacy Elixir v3, meticulously designed to achieve a true natural sounding result preserving the natural timbre of the audio material, used by recording and mastering engineers for almost a decade now. Supporting up to 32 channels, conforming with the ITU-R and EBU loudness norms, makes Elixir an indispensable tool for immersive audio productions including Dolby Atmos^®

Elixir

True natural sounding, preserving natural timbre of the material, ITU-R BS.1770 / EBU R128 compliant real True Peak output, up to 32 channels for multichannel/immersive workflows including Dolby Atmos^®.

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* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

All Features

True Peak conforming with ITU-R and EBU norms
Meeting the broadcast, post-production, and mastering industry norms with real True Peak output in accordance with the ITU-R BS.1770 and EBU R128 norms.

Now supporting up to 32 channels
Provides up to 32 channels of processing, operating at sample rates up to 384kHz.

Multistage processing in up to 12 stages
The multistage processing provides the option to set the algorithm to perform the limiting processing in multi-stages with up to 12 stages, for even more precise and natural sounding results.

64-bit float audio processing
64-bit float audio processing mode has been engaged in order to allow for end to end 64 bit audio with DAWs/Hosts supporting this.

Revamped optimized user interface
The GUI has been completely modernized, with the workflow overhauled to enhance the user experience, and optimized to visually control the whole audio content.

Now with scalable user interface in 6 steps
The user interface is now scalable in 6 steps to easily adapt to the screen resolution of the DAW workstation; 800×600, 1000×750, 1200×900, 1300×975, 1600×1200, and 2000×1500.

Full control over the gain structure
Input / Output Gain (-12/+12 dB) applied to the limiter input, and to the output stage of the limiter.

True bypass
True bypass routing the incoming signal direct to the output for a true smooth transition between clean and processed signal.

Preset and Parameter Handling

Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.

Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.

Preset manager
The preset manager contains three preset banks; Factory bank, which Contains factory presets. Saving presets in the Factory bank is not allowed, but any of the Factory presets can be recalled into a preset section and then saved into the User bank instead, which ontains user presets only. The Global bank contains Global presets. A Global preset is a complete snapshot with all the settings from both of the preset sections as well as the position of the Preset A/B Switch

True Peak Presets
True Peak presets are available in the preset manager which are meeting the output true-peak recommendations such as; Youtube, Spotify, Apple Music and Netflix, and others.

Compatibility

(VS3 available only from Merging Technologies)



Immersive audio production, including Dolby Atmos^®

With Immersive Audio being the new driving force in the entertainment industry a new era in audio production is taking shape. Elixir supports up to 32 channels of processing making it the indispensable tool for Immersive Audio production, including Dolby Atmos^® workflows. You can either control the dynamic of the multiple 7.1.2 beds you are sending to the Dolby Atmos^® renderer, or, limit your monitoring level.

Natural precise and musical result with stage processing

For truly delicate and fine processing tasks, Elixir presents an innovative concept called Stages, providing the option to set the algorithm to perform the limiting processing in multi-stages with up to 12 stages in order to achieve even more precise and natural sounding results.

Example: If the threshold is set to -3 dB and the Stages parameter set to 3, the first stage will limit at -1dB, the second stage will limit at -2dB and the third will limit at -3dB, with analyzing performed in each of the three stages, etc.

Quick and easy setup

Elixir’s straightforward user interface makes it exceptionally easy to achieve great results, even under a tight deadline. Simply set the input level, adjust the Threshold according to the amount of limiting desired, and finally enable Make Up for gain compensation and loudness addition – That’s it!

Specifications

Access to all specifications

The post Elixir appeared first on FLUX:: Immersive.

BitterSweet Pro

Alexis Gentil — Fri, 11 Aug 2017 08:27:11 +0000

Bittersweet Pro V3

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Shape Your Sound With Precision!

BitterSweet Pro is the evolution of FLUX:: well renowned freeware transient processor, BitterSweet. One of the main features is its ability to process only a certain part of the frequency spectrum, providing extended control of the transient shaping, acting like a dynamic equalizer driven by transients and/or sustain.

BitterSweet Pro

Frequency dependent transient designer, process only a certain part of the frequency spectrum, acting like a dynamic eq driven by Transients and/or Sustain.

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* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

“BitterSweet Pro is definitely one of the very best transient processors in the market right now, and Flux:: has delivered one excellent plugin that is very effective and totally fulfills its goals. “

Click Here

“BitterSweet Pro is very easy to use, it’s quite subtle and gentle in its sonics, and not as aggressive as many other transient designers, which is really nice!”

Click Here

All Features

Up to 16 channels Input/Output

Frequency Range sets the actual frequency range to be processed (20 Hz / 20,0 kHz – Lower / 40 Hz / 20,0 kHz – Upper). The frequency extraction can be audited with a simple button click.

Detector sidechain filtered in accordance with the frequency range setting and its low cut, high cut and band pass filter, the filtered sidechain extraction can be audited with a simple button click.

Speed, alters the mode for the processing of the transients, controlling the envelope smoothing and generating a natural attack (Fast/Medium/Slow).

Attack, Hold, Release, adjusting the attack, hold and release times for the transient processing.

Dynamic gain adjusting the gain of the transients and/or the sustain (-100,00% – Sweet / 100,00% – Bitter)

Static Gain controls the actual gain of the Frequency Range filter envelope ( -24.00 dB / +24.00 dB).

Output Gain -24.00 dB / +24.00 dB gain range (applied to the processing output before the soft clipper)

Geek pane (advanced settings) with an additional range of parameters providing extended control of the transient processing envelope.

Preset and Parameter Handling

Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.

Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.

Preset manager
The preset manager contains three preset banks; Factory bank, which Contains factory presets. Saving presets in the Factory bank is not allowed, but any of the Factory presets can be recalled into a preset section and then saved into the User bank instead, which ontains user presets only. The Global bank contains Global presets. A Global preset is a complete snapshot with all the settings from both of the preset sections as well as the position of the Preset A/B Switch

Compatibility

(VS3 available only from Merging Technologies)



Tutorials

Frequency Dependent Transient Processing

The Frequency Dependent Transient Processing provides the option to process only a certain part of the frequency spectrum, making BitterSweet Pro act like a dynamic equalizer driven by Transients and/or Sustain.

Explained:

When Frequency Range is set from 20 Hz to 20 KHz the processing is performed on the full band, now changing the value of the low cut off frequency turns it into a High shelve dynamic eq and setting the high cut off frequency turns it into a Low shelve dynamic eq, when setting both, it turns it into a peak dynamic eq.

On any case the gain can be adjusted with the Static Gain parameter, and the slope can be set with the Frequency Order parameter, from 6dB per octave to 12, 18 and 24 dB, the higher the Frequency Order is the steeper the slope of the frequency response becomes.

M/S Stereo Processing Modes

Transients and Sustain can be amplified or attenuated simultaneously or individually, and using a built in M/S Encoder/Decoder the Mid (Center) or the Side (Stereo) parts of the sound can be processed independently.

Main – processes using regular stereo signal scheme and it’s the only available mode for multichannel operations

Center – engages the internal MS encoder and processes only the Mid channel. After processing, the sound is decoded back to stereo (useful for snare/kick drums)

Stereo – engages the internal MS encoder and processes only the Side channel. After processing the sound is decoded back to stereo. (Efficient for panned rhythmic instruments)

M/S Stereo Processing Modes

Transients and Sustain can be amplified or attenuated simultaneously or individually, and using a built in M/S Encoder/Decoder the Mid (Center) or the Side (Stereo) parts of the sound can be processed independently.

Main – processes using regular stereo signal scheme and it’s the only available mode for multichannel operations

Center – engages the internal MS encoder and processes only the Mid channel. After processing, the sound is decoded back to stereo (useful for snare/kick drums)

Stereo – engages the internal MS encoder and processes only the Side channel. After processing the sound is decoded back to stereo. (Efficient for panned rhythmic instruments)

Geek Panel

The Geek Panel, an ”advanced settings” option, provides extended control of the transient processing envelope as well as different options for monitoring of the signal within the plugin.

Dual Preset Slots and Parameter Morphing

The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.

The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.

Dual Preset Slots and Parameter Morphing

The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.

The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.

Specifications

Access to all specifications

The post BitterSweet Pro appeared first on FLUX:: Immersive.

Alchemist

Alexis Gentil — Fri, 11 Aug 2017 05:12:31 +0000

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Master Your Mix With Alchemist!

Alchemist is the ultimate dynamic processing tool providing full control over the processing. For simple compression tasks, more advanced de-expansion, and emulating classic analog compression, to recovering transients from an overly compressed mix, all the way to heavy parallel multi-band compression with up to 5 bands.

Master Your Mix with Alchemist

FLUX:: Pure Series Mode explained

FLUX:: Level Independent Detection

Alchemist

Challenging dynamics in your mix or mastering projects, restoration of complicated dynamics, professional mastering and re-mastering, five bands with a complete dynamics processing section.

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* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

All Features

Five bands, each providing a full dynamics section with; Compressor, De-Compressor, Expander, De-Expander, the BitterSweet Transient Designer and M/S Width Control

Infinite Impulse Response (IIR) crossovers with selectable slopes from 18 dB/oct to 54 dB/oct

Read more ...

Input/Output gain controls for adjusting the levels before and after processing

Generous -/+ 48 dB input/output gain range

Phase invert of the processed signal

Dry/wet control offering true parallel dynamics processing

Discrete peak-limiter rounding peaks off in a smooth and musically fashion

True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal

Preset and Parameter Handling

Preset/Parameter slots

To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.

Read more ...

Parameter Morphing Slider with Automation

The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.

Open Sound Control Support

Compatibility

(VS3 available only from Merging Technologies)



Multiband Crossovers

Alchemists five bands are divided using carefully tuned state-of-the-art IIR (Infinite Impulse Response) crossovers with selectable slopes (from 18 dB per octave to 54 dB per octave) and variable corner frequencies.

Multiband Features

Alchemist operates as a single broadband processor or as a full-scale multiband processor offering up to five individual bands, each band provides:

Compressor

De-Compressor

Expander

De-Expander

BitterSweet Transient Designer

MS (mid/side) Control

Auto Delay (Introducing a delay line into to signal for zero attack time)

Selectable level detection mode and dynamics detection profile

Processing envelope control (Attack, Hold, Release with optional Auto mode)

Input / Output gain control

Multiband Features

Alchemist operates as a single broadband processor or as a full-scale multiband processor offering up to five individual bands, each band provides:

Compressor

De-Compressor

Expander

De-Expander

BitterSweet Transient Designer

MS (mid/side) Control

Auto Delay (Introducing a delay line into to signal for zero attack time)

Selectable level detection mode and dynamics detection profile

Processing envelope control (Attack, Hold, Release with optional Auto mode)

Input / Output gain control

Full control over the processing

In addition to the common controls on a dynamics processor; ratio, attack, release, Alchemist offers control over the fundamental characteristics of the dynamics processing on each band, all in order to provide full control over the processing even in the most demanding situations.

Envelope, Time and Detection Settings

Extended envelope settings with full control of Attack, Hold and Release with Manual, Auto and Advanced release modes.

Zero attack time for the dynamics processing by introducing a delay reflecting the attack time into the signal path.

Eight different detection modes interacting with the time and envelope settings as well as with the integration times for the RMS detection. Includes specific “Feed Backward” modes inspired by vintage hardware architectures for producing a naturally “beefy” sound.

Dynamic Factor – Amplifies or diminishes the extracted real-time dynamics information.

Dynamic Velocity – Controls the speed of variation on the extracted dynamics information.

Individual Multichannel Processing

Up to sixteen channels of simultaneous processing for multichannel surround configuration is provided. The processing can be disengaged on any of the channels leaving the material unprocessed, bypassing the original sound.

When operating on a multi-channel bus all, up to sixteen in total, channels are processed by default, though the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound.

By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.

Individual Multichannel Processing

Up to sixteen channels of simultaneous processing for multichannel surround configuration is provided. The processing can be disengaged on any of the channels leaving the material unprocessed, bypassing the original sound.

When operating on a multi-channel bus all, up to sixteen in total, channels are processed by default, though the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound.

By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.

Dual Preset Slots and Parameter Morphing

The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.

The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.

Specifications

Access to all specifications

The post Alchemist appeared first on FLUX:: Immersive.

Solera

Alexis Gentil — Fri, 11 Aug 2017 08:28:29 +0000

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Mastering the art of dynamics

Solera is a comprehensive full band dynamics processor combining the power of a compressor, expander, de-compressor and de-expander, all four processing in parallel, designed to provide powerful dynamics processing for any challenging situation and still preserve, or recover, the true natural quality of the audio material without adding any artifacts.

Solera

Comprehensive full band dynamics processing, powerful natural dynamics processing, preserve or recover the natural quality of the audio material without adding artifacts.

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* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

All Features

Up to 8 channels Input/Output

Generous -/+ 48 dB input/output gain range

Input/Output gain controls for adjusting the levels before and after processing

Dry/wet control offering true parallel dynamics processing and for blending some of the original “peak” into the processed signal

Read more ...

Phase invert of the processed signal

External side chain support for AAX (Native & DSP) and AU ; in mono and stereo format

Discrete peak limiter at the very last stage of the processing chain rounding off the peaks in a smooth and musically fashion

Compressor, Expander, De-Compressor and De-Expander, all four available direct through the user interface, processing in parallel

Three release modes are presented; manual, auto, and advanced (with minimum and maximum release values fully adjustable)

Auto delay function allowing for zero attack times by introducing a delay line in the processed signal

Link Channel, provides linked/unlinked processing (in M/S mode)

True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal

Side chain section featuring a three-band equalizer to generate frequency sensitive processing

External side-chain available in AU (Mac OS X) and AAX Native & DSP (Mac OS X & Windows) only
Input/Output gain controls for adjusting the levels before and after processing.

Preset and Parameter Handling

Preset/Parameter slots

To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.

Read more ...

Parameter Morphing Slider with Automation

The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.

Open Sound Control Support

Compatibility

(VS3 available only from Merging Technologies)



Advanced detection and analysis

To perform the most detailed analysis of the material possible, a side chain section featuring a three-band equalizer for generating true frequency sensitive processing, as well as input options for an external sidechain signal, is provided.

Side Chain Section Details

Each of the three eq-bands provides; Gain, Frequency and Q-Factor, as well as five different Filter Types:

12 dB per octave high pass filter

Low shelving

Parametric

High shelving

12 dB per octave low pass filter

The external side-chain input is available in AU (Mac OS X) and AAX Native & DSP (Mac OS X & Windows) only.

Full control over the processing

In addition to the common controls on a dynamics processor; ratio, attack, release, Solera offers control over the fundamental characteristics of the dynamics processing, all in order to provide full control over the processing even in the most demanding situations.

Details:

Envelope, Time and Detection Settings

Extended envelope settings with full control of Attack, Hold and Release with Manual, Auto and Advanced release modes.

Zero attack time for the dynamics processing by introducing a delay reflecting the attack time into the signal path.

Eight different detection modes interacting with the time and envelope settings as well as with the integration times for the RMS detection. Includes specific “Feed Backward” modes inspired by vintage hardware architectures for producing a naturally “beefy” sound.

Dynamic Factor – Amplifies or diminishes the extracted real-time dynamics information.

Dynamic Velocity – Controls the speed of variation on the extracted dynamics information.

Full control over the processing

In addition to the common controls on a dynamics processor; ratio, attack, release, Solera offers control over the fundamental characteristics of the dynamics processing, all in order to provide full control over the processing even in the most demanding situations.

Details:

Envelope, Time and Detection Settings

Extended envelope settings with full control of Attack, Hold and Release with Manual, Auto and Advanced release modes.

Zero attack time for the dynamics processing by introducing a delay reflecting the attack time into the signal path.

Eight different detection modes interacting with the time and envelope settings as well as with the integration times for the RMS detection. Includes specific “Feed Backward” modes inspired by vintage hardware architectures for producing a naturally “beefy” sound.

Dynamic Factor – Amplifies or diminishes the extracted real-time dynamics information.

Dynamic Velocity – Controls the speed of variation on the extracted dynamics information.

Open up the sound and increase the dynamic impression

On each of the four dynamics processing sections two parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.

Details:

Dynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).

Level Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range.

A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum

Control the Stereo width of your mix

To control the actual Stereo width of the mix a built-in MS encoder/decoder is used to split the stereo-signal in its M and S components in order to control the actual stereo width of the mix.

Details:

The MS Width Control – Sets the stereo width of the processed signal. A -6 dB value deceases the stereo width. A +6 dB value increases the wideness of the stereo mix but can produce phase issue.

The MS Mode Control – Enables one MS encoding matrix at the input and one MS decoding matrix at the output of the dynamic processing in order to control the stereo width of the mix. When engaged, the side chain is fed by a MS encoded signal that is reflected in the display section. M channel corresponds to the normal left channel. And the S channel corresponds to the normal right channel.

(This feature is only available when two channels (no more, no less) are processed.)

Control the Stereo width of your mix

To control the actual Stereo width of the mix a built-in MS encoder/decoder is used to split the stereo-signal in its M and S components in order to control the actual stereo width of the mix.

Details:

The MS Width Control – Sets the stereo width of the processed signal. A -6 dB value deceases the stereo width. A +6 dB value increases the wideness of the stereo mix but can produce phase issue.

The MS Mode Control – Enables one MS encoding matrix at the input and one MS decoding matrix at the output of the dynamic processing in order to control the stereo width of the mix. When engaged, the side chain is fed by a MS encoded signal that is reflected in the display section. M channel corresponds to the normal left channel. And the S channel corresponds to the normal right channel.

(This feature is only available when two channels (no more, no less) are processed.)

Dual Preset Slots and Parameter Morphing

The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.

The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.

Individual Multichannel Processing

Up to sixteen channels of simultaneous processing for multichannel surround configuration is provided. The processing can be disengaged on any of the channels leaving the material unprocessed, bypassing the original sound.

When operating on a multi-channel bus all, up to sixteen in total, channels are processed by default, though the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound.

By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.

Individual Multichannel Processing

Up to sixteen channels of simultaneous processing for multichannel surround configuration is provided. The processing can be disengaged on any of the channels leaving the material unprocessed, bypassing the original sound.

When operating on a multi-channel bus all, up to sixteen in total, channels are processed by default, though the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound.

By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.

Specifications

Access to all specifications

The post Solera appeared first on FLUX:: Immersive.

Pure Limiter

Alexis Gentil — Mon, 14 Aug 2017 05:11:08 +0000

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Transparent Limiting Made Easy

Pure Limiter was designed to provide clean transparent limiting and to preserve the sonic integrity of the audio material even when dramatically increasing the average audio level. Used at the very last stage of your audio processing chain you get full control on your levels, without introducing any artifacts on the processed audio material.

Pure Limiter

Clean transparent limiting with full control of the audio levels even on dramatically increased levels, without any artifacts introduced on the processed audio material.

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* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

All Features

Up to 16 channels Input/Output

Input/Output gain controls for adjusting the levels before and after processing

Release and Filter Controls for the Release settings and High/Low pass filters setting the highest/lowest frequency feeding the Release section.

Read more ...

Lookahead (0/20 ms), for a decrease in the gain before any potential audio peaks. a key-point for avoiding audio distortion.

Link Channels, linking the limiting on one channel to limit the other(s) as well.

Make Up gain, increases the output gain from the threshold value.

Waveform and Limiting Action Display with two display alternatives, A, waveform of the output signal and the limiting action in red, B, waveform of the output signal as a histogram and the limiting action displayed in red on a separate histogram with a blue line reflecting the release value.

True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal.

Preset and Parameter Handling

Preset/Parameter slots

To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.

Read more ...

Parameter Morphing Slider with Automation

The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.

Open Sound Control Support

Compatibility

(VS3 available only from Merging Technologies)



Full control over the processing

In addition to the common controls on a limiter; Input, Output, Threshold and Knee, Pure Limiter offers control over the fundamental characteristics of the processing, all in order to provide full control over the processing even in the most demanding situations.

Envelope and Detection Settings

Dynamics processing Envelope Modes (Manual, Auto, Advanced)

Release Max / Min (for Manual and Advanced Mode)

Dynamic High Pass / Low Pass Filter – Frequencies feeding the release control

Dynamic Velocity – Controls the speed of variation on the extracted dynamics information

Dynamic Factor – Amplifies or diminishes the extracted real-time dynamics information.

Channels Link

Three different operation modes

Pure Limiter offers three different operation modes, the automatic mode allows for quick and efficient operation, and for full control of the processing a Manual Mode and an Advanced Mode is provided.

Manual – Offering a classic approach to the parameter options

Automatic – Requires minimum user interaction to achieve great results

Advanced – Provides full control of all parameters when required

Three different operation modes

Pure Limiter offers three different operation modes, the automatic mode allows for quick and efficient operation, and for full control of the processing a Manual Mode and an Advanced Mode is provided.

Manual – Offering a classic approach to the parameter options

Automatic – Requires minimum user interaction to achieve great results

Advanced – Provides full control of all parameters when required

Waveform Display Modes

In order to assist and simplify the processing setup, Pure Limiter features two display modes:

Mode A – Displays the waveforms of both the input signal and the processed signal.

Mode B – Displays the processed waveform, the limiter action and the histogram of the release value, which is really helpful when running in advanced mode.

Dual Preset Slots and Parameter Morphing

The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.

The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation

Dual Preset Slots and Parameter Morphing

The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.

The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation

Specifications

Access to all specifications

The post Pure Limiter appeared first on FLUX:: Immersive.

Syrah

Alexis Gentil — Mon, 14 Aug 2017 05:24:18 +0000

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The Secret Brew For Masterful Compression!

Syrah, based on the legendary algorithms behind the Alchemist and Solera processors, has since it was released been kind of a secret brew for many engineers. Syrah is designed to react in real-time to the nature of the input signal, making it an extremely versatile compressor with the ability to adapt to anything from individual sources to a complete mix. With its refined user interface, it’s a really simple and efficient processor for quickly dialing in compression with outstanding results.

Tutorial – Introduction to Syrah

Tutorial – Creative Compression with Syrah

Syrah

Creative versatile with adaptive dynamics, adapting to the music and the beat of the audio material, truly musical and well suited for recording, mixing, and mastering.

Buy now  Subscribe now

* We offer a 50% academic discount, based on the full MSRP, for students, teachers and schools on all our products. Click here to apply.

“It has a totally different approach to dynamics, but once you get used to it it’s really effective and I have yet to find any material that I can’t use it for!”

Read More

All Features

Up to 16 channels Input/Output

Input/Output gain controls for adjusting the levels before and after processing

Dry Mix control (Dry/Wet with optional gain compensation) allowing for parallel processing or for blending some of the original “peak” into the processed signal.

Read more ...

Mode setting to define how the adaptive dynamics algorithm attempts to adapt the processing.

Boost setting for increasing the entire processing intensity, straightforwardly described – More of everything

Thickness fattens up the processed material by enhancing the low level frequencies

Inverse setting which inverts the final gain envelope offering particularly effect-full processing in a true “Dr. Jekyll and Mr. Hyde” kind of way

M/S Width for controlling the stereo width of the processed signal

Discrete peak limiter at the very last stage of the processing chain rounding off the peaks in a smooth and musically fashion

True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal

Preset and Parameter Handling

Preset/Parameter slots

To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.

Parameter Morphing Slider with Automation

Read more ...

The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.

Open Sound Control Support

Compatibility

(VS3 available only from Merging Technologies)



Tutorials

Adaptive Processing Control

The adaptive processing algorithm in Syrah can be defined by a Mode setting parameter, which his is one of the most significant controls on Syrah defining how the algorithm automatically tries to adapt the processing to the audio material.

Modes:

Dynamic Soft

Dynamic Deep

Static

By selecting one of the two provided dynamic modes, a range of parameters becomes dynamic and will vary in sync according to the audio analysis, aiming at a result that is closer to the original material.

M/S Stereo Operation

Syrah provides an option for individual processing of the M/S components, a well-known technique often used in mastering to process the stereo image or the center impact, and since Syrah adapts the processing to the audio material, the result will generally match the stereo material more accurately, resulting in a larger variety of possible sound modifications, such as; dynamically increasing the space (room) impression, boost the main center components and similar tasks.

M/S Stereo Operation

Syrah provides an option for individual processing of the M/S components, a well-known technique often used in mastering to process the stereo image or the center impact, and since Syrah adapts the processing to the audio material, the result will generally match the stereo material more accurately, resulting in a larger variety of possible sound modifications, such as; dynamically increasing the space (room) impression, boost the main center components and similar tasks.

LCD Waveform Display

The LCD display shows the actual waveform and offers a variety of settings to customize the display content.

LCD On/Off

Scroll Waveform Speed

Scroll Waveform Freeze

Display Input Waveform

Display Output Waveform

Display Gain Envelope

Dual Preset Slots and Parameter Morphing

The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.

Details:

The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.

Dual Preset Slots and Parameter Morphing

The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.

Details:

The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.

Specifications

Access to all specifications

The post Syrah appeared first on FLUX:: Immersive.

Live Production Archives - FLUX:: Immersive

MiRA Live

YOUR SYSTEM TUNING AND LIVE MIXING COMPANION

MiRA Live – Your System Tuning and Live Mixing Companion

CAPTURE, ANALYZE – SIMPLIFY YOUR SYSTEM TUNING SESSION

ADVANCED MICROPHONE CAPTURES

LIVE SHOW LAYOUT

NEBULA SPATIAL VISUALIZER

FEATURE HIGHLIGHTS

MiRA Live

COMPATIBILITY

WATCH AND LEARN MORE

MiRA Live – INTRODUCTION

MiRA Live – INTRODUCTION TO SYSTEM ANALYSIS

MiRA Live – MICROPHONE PAIRING MODE

MiRA – FLUX:: SAMPLE PUSH TECHNOLOGY

MiRA – LAYOUT CREATION WITH CUSTOMIZABLE WORKSPACES

MiRA – USER INTERFACE

RESOURCES

Online User Guide

Download & Install

License & Activation

Release Notes

Facebook Analyzer Group

SPECIFICATIONS

Features

Processing

OS Compatibility

Hardware Requirements

Software Licence Requirements

MiRA Ultimate

MiRA Ultimate

EVO Series

Now Available – All EVO elements as separate plugins with AAX DSP support*

The Ultimate Channel Strip Redefined

EVO Series

Compatibility

Drumkit

Phase Alignment

Guitars and Voices

Phase Alignment

Unique EVO Drive System

Restores the life and vitality

EVO In

Reframes the sound together

EVO EQ

The canvas for painting the colors

EVO Compressor

The Sound Attitude Generator

EVO Touch

The icing on the cake !

Multichannel, Dolby Atmos®, Ambisonics & High-Resolution Support

Dark Mode for Live and Theater

Specifications

SPAT Revolution

SPAT Revolution 25.12 – Available Now!

From Creation to Real-time Immersive Delivery

For a wide-span of Immersive creation and production use cases

Bring a sense of space and depth to your mix with the next generation audio mixing concepts

More Info

The most wanted Panning methods and Spatialization techniques at your fingertips

Render for various deliverables

Deliver a stable soundscape throughout an entire listening area with WFS

Channel-based Formats

Scene-based Formats

What Our Users Think

From decades of groundbreaking research at Ircam

Designed to integrate into any workflow

More Information:

Main Features

Two license options to choose from

SPAT Revolution Essential<\/b><\/span><\/h4>\n<\/td>\n

SPAT Revolution Ultimate<\/b><\/span><\/h4>\n<\/td>\n<\/tr>\n

SPAT Revolution Essential<\/b><\/span><\/h4>\n<\/td>\n

SPAT Revolution Ultimate<\/b><\/span><\/h4>\n<\/td>\n<\/tr>\n

SPAT Revolution Essential

SPAT Revolution Ultimate

Advanced Features

Speaker Configuration Management

Objects, Snapshots and Transformation

Now Available – All EVO elements as separate plugins with AAX DSP support^*

Immersive audio production, including Dolby Atmos^®