If this is the case, you have to uninstall the plug-ins, remove any files that were moved manually and hence not removed in the uninstallation, and finally re-install the plug-ins and instead change the plug-in path during the installation.

More information about moving VST plug-in files (Windows Only)

The post Windows – Problems with graphics, text and other GUI related issues in VST plugins (Windows Only) appeared first on FLUX:: Immersive.

Some DAWs (e.g. Motu Digital Performer) require a full snapshot of the plug-in in order to list the parameters correctly.

Consult the DAW user manual to find out the procedure for a plug-in re-scan, this procedure may be necessary to perform in DAWs using the AU as well as the VST versions of our software.

The post VST – Automation parameters not accessible appeared first on FLUX:: Immersive.

Connection Problems – SampleGrabber and FLUX:: Analyzer Essential / FLUX:: Session Analyzer

The post Connection Problems – SampleGrabber and FLUX:: Analyzer Essential / FLUX:: Session Analyzer appeared first on FLUX:: Immersive.

In addition to this, the Flux:: Epure v3 equalizer offers up to four MS encoders/decoders and associated I/O routings for setting up the encoding/decoding.

Epure MS Routing Setup

Specific information for a certain product is found under features on the product page for the actual concerned product.

Flux:: Product Pages

The post Does FLUX:: dynamics processors provide MS Mid/Side processing? appeared first on FLUX:: Immersive.

• First you need to create a user preset in the Flux:: plug-in preset manager (not the host preset manager) that you want to use for the batch processing, this can be done using your favorite audio host software.
  
  

• In the Flux:: plug-in preset manager (not the host preset manager), navigate to the User preset tab, select the preset, then click “Set as default”.
  
  

• Then close your audio host application.

• Download MrsWatson application from http://teragonaudio.com/MrsWatson.html and unzip the downloaded file.
  
• Open the command tool (Windows) or Terminal (MacOSX)

How to setup a proper command line:

1 – Enter the mrswatson64 application path.
You can drag the application directly into the command or terminal window (then you don’t have to type the path manually).

Exemple in Windows:
     C:\Users\myusername\Desktop\MrsWatson\MrsWatson-0.9.7\Windows\mrswatson64.exe

Exemple in macOS:

     /Users/myusername/Desktop/MrsWatson-0.9.7Mac\ OS\ X/mrswatson64

2 – Indicate the Flux VST 64-bit install path

Exemple in Windows:

–plugin-root “c:\Program Files\Vstplugins\Flux\LevelMagic.vst\Contents\x64”

Exemple in macOS:

–plugin-root /Library/Audio/Plug-Ins/VST/Flux

3 – Indicate the input file path for the file you want to process.

Exemple in Windows:

-i C:\Users\myusername\Desktop\myaudiofile.wav

Exemple in macOS:

-i /Users/myusername/Desktop/myaudiofile.wav

4 – Indicate the output file path for the processed file.

Exemple in Windows:

-o C:\Users\myusername\Desktop\out.wav

Exemple in macOS:

-o /Users/myusername/Desktop/out.wav

5 – Indicate the plugin(s) to be used.

Exemple in Windows:

-p LevelMagic

Exemple in macOS:

-p LevelMagic-x64

6 – In the end, the full command line will look like this:

Exemple in Windows :

C:\Users\myusername\Desktop\MrsWatson\MrsWatson-0.9.7\Windows\mrswatson64.exe –plugin-root “c:\Program Files\Vstplugins\Flux\LevelMagic.vst\Contents\x64” -i C:\Users\myusername\Desktop\myaudiofile.wav -o C:\Users\myusername\Desktop\out.wav -p LevelMagic

Exemple in macOS:

/Users/myusername/Desktop/MrsWatson-0.9.7Mac\ OS\ X/mrswatson64 –plugin-root /Library/Audio/Plug-Ins/VST/Flux -i /Users/myusername/Desktop/myaudiofile.wav -o /Users/myusername/Desktop/out.wav -p LevelMagic-x64

7 – Type return key and wait for the processing to end.

The post How To – Batch processing with MrsWatson (by Teragon audio) and FLUX:: plugins appeared first on FLUX:: Immersive.

The Dynamic Factor and Dynamic Velocity parameters will impact the detection of signal dynamics. These settings comes in handy when the signal to be processed has:

• Too much dynamics – You can choose a value of the Dynamic Factor that is smaller than 1, to limit the ‘pumping’ effect of the compressor, as an example.
  
• Too little dynamics – The threshold can become difficult to adjust, for an expander / gate, as an example, conversely, a value greater than 1 will be chosen.

The Dynamic Velocity will play on the speed of the detection and refine the setting.

These parameters work for all modes. and will be common to the 4 modules comp / dcomp / exp / dexp, and are intended when trying to solve certain special cases of dynamics.

The post Pure Series – Dynamic Factor and Dynamic Velocity appeared first on FLUX:: Immersive.

1. Create six mono audio tracks and one aux track.
2. Set the outputs of each mono audio track to Bus 1-6, respectively.
3. Set the input of the aux track to Bus 1-6.
4. Set the output of the aux track to a 5.1 surround bundle where the first two outputs are the ones you are monitoring from (i.e. headphones)
5. Insert the AU plugin on the aux track.

This setup will feed the outputs of each audio track into the plugin on the aux. The plugin will then output a stereo track, which is sent to the first two outputs of the surround output bundle.

To create a surround bundle (which you will need to do for bus 1-6 and your 5.1 output bundle) go to the Bundles window. Select the Outputs tab. Click the “add” button. This will create a new bundle. Select the dropdown menu in the ‘Model’ column to set the bundle to 5.1.

The post IRCAM Tools HEar in 5.1 in Digital Performer appeared first on FLUX:: Immersive.

IRCAM TRAX Transformer

• 44.1 KHz = -9792 samples
• 48 KHz = -10624 samples
• 88.2 Khz = -19520 samples
• 96 KHz = -21184 samples
• 176.4 KHz = -38976 samples
• 192 KHz = -42368 samples

IRCAM TRAX Cross Synthesis

• 44.1 KHz = -5536 samples
• 48 KHz = -6016 samples
• 88.2 Khz = -11056 samples
• 96 KHz = -12016 samples
• 176.4 KHz = -22080 samples
• 192 KHz = -24016 samples

IRCAM TRAX Source Filter

• 44.1 KHz = -5536 samples
• 48 KHz = -6016 samples
• 88.2 Khz = -11056 samples
• 96 KHz = -12016 samples
• 176.4 KHz = -22080 samples
• 192 KHz = -24016 samples

The post IRCAM TRAX latency compensation appeared first on FLUX:: Immersive.

EVO In User Manual – Phase Module

When Phase is enabled on one single track, it will indeed affect the sound – If applied on ALL tracks recorded at the same time with microphones, there will be no impact on the sound (when the phase knob is at 0°), which is the important thing here.

This way of processing phase, guarantees a perfect frequency linearity from 20Hz to 20KHz.

The post EVO.In – Why is a phase rotation applied when the phase section is activated? appeared first on FLUX:: Immersive.